Word: arkin
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Premise No. 2: An overly ambitious assistant professor of psychology (Alan Arkin) is afflicted with intellectual pretentiousness and a messianic complex. He is also an orphan, which means that it might be possible to convince him and everyone else that he was produced "like a toaster" on some other planet and brought to earth in a spaceship. The mad scientists put the hero in a water tank for days to take him back beyond the womb. They induce false but highly persuasive memories of his origins and, incidentally, provide Arkin with a tour de force mime sequence in which...
...some ways The In-Laws is an acid satire of the incompetence of America's intelligence "community." Falk has a picture of John F. Kennedy on his wall with the inscription, "At least we tried-thanks for everything-JFK." "You mean you were involved in the Bay of Pigs?" Arkin asks, deadpan. "I was the one who came up with the idea," Falk proudly replies. This is a CIA agent who confirms the worst charges that Congress and the press have brought against the agency-a liar and bumbler, he seems to act without orders and puts civilians in danger...
Until the denouement, viewers who want to believe that lunatics are not standard intelligence figures can clutch Falk's own statement that the agency had kicked him out and the confirmation of a CIA higher-up whom Arkin calls. "The man's a total lunatic-I'd advise you to keep as far away from him as possible," Arkin is told...
...whose art collection is filled with garish nudes. He does keep the audience laughing, but it's all very strained-as if everyone involved in the movie had tired of it and decided to take the easy way out. The ending hits the same flat note, as Falk and Arkin are-surprise-saved, and Falk's integrity is restored...
...perhaps Hiller just got bored with his own creation. In either case, his lack of respect for his audience shows up in the form of plot inconsistencies and editing flubs. Most glaringly, he spends about 15 minutes of the early part of the film building a subplot about Arkin's wife and her discovery of her husband's entanglement with Falk, and then drops it without a blink. This is not the stuff of entertaining movies, let alone good ones, and Hiller was lucky he had an actor as talented as Falk to save his film...