Word: arkush
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...Sino-American relationship. When officials of the Qing Empire began visiting America in the 1860s, some kept diaries that expressed what now seem like eerily familiar opinions. In their book Land Without Ghosts: Chinese Impressions of America from the Mid-Nineteenth Century to the Present, historians R. David Arkush and Leo O. Lee write that during the first period of interaction, from 1841 to around 1900, China's view of the U.S. was a mixture of wonder and fear. Woken from torpid indifference to the outside world by humiliating defeats in the Opium Wars, the Qing mandarins decided China must...
...Then, in a stunning historical turnaround, U.S. President Richard Nixon visited China, spurring what Arkush and Lee describe as a new period of "rediscovery and respect." By the beginning of China's reform period in 1978, America was once again viewed in a largely positive light by the average Chinese. "The U.S. represented the good life," says Joseph Cheng, head of the Contemporary China Research Project at City University of Hong Kong. "It also represented, in the eyes of university students, the peak of scientific and technological progress...
...idea was for 10 film directors of eccentric renown to take the title but not the plot of a '50s exploitation epic from the vault of American International Pictures and, on a miserly budget of $1.3 million, spin a hip variation on it. So Allan Arkush (Rock 'n' Roll High School) picked Shake, Rattle and Rock; Ralph Bakshi (Fritz the Cat) selected Cool and the Crazy; Joe Dante (Gremlins) chose Runaway Daughters; Uli Edel (Last Exit to Brooklyn) took Confessions of a Sorority Girl; William Friedkin (The Exorcist) got Jailbreakers; Jonathan Kaplan (The Accused) chose Reform School Girl; Mary Lambert...
...They kind of swarm all over Harvard Square...like insects or something," junior Liz Arkush says. "I remember going to Store 24 at one point during the weekend, and there were all these Andover kids going, 'Wow, this is so wild, this is just like the Store 24 at home...
...Paul Bartel, Dante is an honors graduate of the Roger Corman night school of no-budget film making. Working for slave wages at Gorman's New World Pictures in the mid-'70s, Dante learned how to finesse movies on a frayed shoestring. He and Co-Director Allan Arkush shot their first film, Hollywood Boulevard, for a niggardly $60,000 in 1976. Dante's solo directorial debut, the 1978 Piranha, was made for slightly in excess of $1 million. In this fleet-wilted Jaws parody one could see early signs of the Dante style, which keeps tickling...