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...Richard Arlen and Chester Morris, the two brothers who inherit a wheat farm, are two of the Playgoer's favorite actors. "Golden Harvest" supplies an ideal role for Arlen where his straight-forward masculinity is unrestrained by wing collar or the stare of social dictators. Chester Morris is the prodigal who leaves the farm and "cleans up" in the Chicago Wheat Pit. He does this by the simple expedient of dressing up in rubber coat and hat, walking under a shower bath, and stampeding the Pit by crying. "Rain, rain," thus forcing down the price about ten cents and crowning...

Author: By E. W. R., | Title: THE CRIMSON PLAYGOER | 10/2/1933 | See Source »

Motoring in Cannes, France, with her 2-year-old son Michael John was beauteous Atalanta Arlen (onetime Countess Atalanta Mercati), wife of Novelist Michael Arlen (Dikran Kouyoumdjian). A motorcyclist rammed into the rear of her automobile, was instantly killed. Forced to flee by a mob of Frenchwomen who cursed and threatened her, she was rescued by her husband and a British vice consul...

Author: /time Magazine | Title: People, Sep. 25, 1933 | 9/25/1933 | See Source »

Born. To Novelist Dikran Kouyoumdjian (Michael Arlen), 37; and onetime Countess Atalanta Mercati Kouyoumdjian: a daughter; in Cannes, France. A son was born...

Author: /time Magazine | Title: Milestones, Jun. 19, 1933 | 6/19/1933 | See Source »

...legger. Hoffman (Jean Hersholt) patiently awaits the day when brewing will be legal again but by the time it arrives, he has lost most of his money and some of his good humor. When beer is finally legalized, gangsters shoot old Hoffman and it takes his son (Richard Arlen) and several friends to avenge the old man's death with tactics they learned in the Army. Somewhere in all this there may have been the germ of a potent picture but if so it was sterilized by second-rate dialog and second-hand situations. What is left...

Author: /time Magazine | Title: Cinema: The New Pictures: May 8, 1933 | 5/8/1933 | See Source »

...acting is better than the ordinary run of these pictures with Jean Hershelt taking first prize as Papa Hoffman. Louise Dresser in the role of Mama Hoffman is the only actress to do a good job, but most of the supporting actors. George E. Stone and Richard Arlen especially, are adequate...

Author: By F. H. W., | Title: The Crimson Playgoer | 5/1/1933 | See Source »

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