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...Hoover, 41 years White House usher (whose "consideration of others is unfailing"). Other nominees: Novelist Benjamin Kittredge; Artist Olin Dows soft-drawling Lawyer Frank Lyon Polk, Wilsonian Undersecretary of State; Lawyer George Woodward Wickersham; Justice Harlan Fiske Stone; Actor George Arliss...

Author: /time Magazine | Title: People, Jun. 20, 1932 | 6/20/1932 | See Source »

...ranch in a taxi. Wheeler i? induced to run for sheriff, an office as dangerous to its incumbent as the presidency of a South American republic. Wheeler giggles constantly; Woolsey chews cigars. A small girl (Mitzi Green) gives impersonations of Bing Crosby, Roscoe Ates, Edna May Oliver and George Arliss. A girl named Kitty Kelly sings three Gershwin songs from the stage version of Girl Crazy ("I've Got Rhythm." "Bidin' My Time," "Not for Me"). Eventually the happy adjustment of a minor romance between the dude rancher (Eddie Quillan) and a coy Arizonan (Arline Judge) serves as an excuse...

Author: /time Magazine | Title: Cinema: New Pictures: Apr. 4, 1932 | 4/4/1932 | See Source »

...Arliss, whose long-range eavesdroppings have previously prompted him to perform other sly philanthropies, releases her. When the picture ends he is strumming on an organ and apparently contemplating matrimony with a sympathetic widow (Violet Heming...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 22, 1932 | 2/22/1932 | See Source »

Sober, pious, less dramatic than it should have been, The Man Who Played God has the distinction of that crafty dignity which George Arliss injects into all his impersonations. His thin smile, his high nose, his punctilious diction relieve the antiquated arguments of the story (by Gouverneur Morris) which will be joyfully hailed by those who regard the cinema as an agent for good...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 22, 1932 | 2/22/1932 | See Source »

...George Arliss is the dean of Hollywood's leading men, as Marie Dressier is the Mother Superior of its heroines. His frugality; his apelike way of walking, with his shoulders stooped and his hands hanging about his knees, make him more of an enigma to Hollywood than Hollywood is to him. He defends it against its detractors, calls it busy, sane. His valet. Jenner, who has been with him for 25 years, brings him tea at 3:30 every day, sees that he quits work promptly at 4:30, says he has never seen George Arliss break a monocle...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 22, 1932 | 2/22/1932 | See Source »

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