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DISRAELI (George Arliss)?Audible waxwork of the Suez Canal difficulties...

Author: /time Magazine | Title: COMING,GOING | 11/18/1929 | See Source »

Fenway--"Disraeli" with George Arliss and a good cast...

Author: NO WRITER ATTRIBUTED | Title: BOARDS AND BILLBOARDS | 11/14/1929 | See Source »

DISRAELI-George Arliss makes this drama of the Prime Minister who loved peacocks, gardening and Queen Victoria as exciting as detective fiction. HALLELUJAH-blackamoor joys and sorrows. BULLDOG DRUMMOND-phantasms in a not-so-merry-England. WHY BRING THAT UP?(Moran & Mack) -the "Two Black Crows" of record and radio fame, repeat their inane, hilarious dialog for the cinema. HOLLYWOOD REVUE-elaborate photography of the Ziegfeld idea...

Author: /time Magazine | Title: Time Table: Oct. 28, 1929 | 10/28/1929 | See Source »

...Disraeli", at the Metropolitan this week, has the virtues of an intelligent, dramatic theme and dialogue, and the acting of George Arliss. Few pictures offer either of these. As a result "Disraeli" merits exceptional praise. It is a close photographic version of the stage play in which Mr. Arliss has long given the title role; so the scenes end abruptly, and concentrate entirely on straight dialogue, rather than presenting any attempt at original photography. What is lost in color is, however, well balanced by the gain in directness and clearness; and, more important, adherence to the stage version keeps...

Author: NO WRITER ATTRIBUTED | Title: Cinema THE CRIMSON PLAYGOER Music | 10/26/1929 | See Source »

...acting is of the highest order. The character of Disraeli subtly, surely grows under his hands; the race for the Suez Canal passes the bounds of national interest and becomes a contest for the breathless world to watch. His scenes with Lady Beaconfield (Mrs. Arliss) are touching, without being sentimental; with Lord Probert (Ernest Torrence) he transmates financial discussions into powerful drama. The lovely Joan Bennett has charm in the innocuous romantic subplot. But none of the other characters are, or need to be, outstanding. The leading man carries off the play...

Author: NO WRITER ATTRIBUTED | Title: Cinema THE CRIMSON PLAYGOER Music | 10/26/1929 | See Source »

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