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...tooth and stoop of shoulder was Actor George Arliss, now 60, foreordained to be a successful Shylock. The bond between William Shakespeare and a host of U. S. schoolteachers was further assurance that Mr. Arliss, after his tours in The Green Goddess and Old English, could take out The Merchant of Venice and get home a happier, wealthier man, which is what he was when he returned to Manhattan last week from a five-month tour that began in Syracuse and ended, via San Francisco, in Newark...

Author: /time Magazine | Title: Theatre: Youngest Portia | 3/18/1929 | See Source »

...either tragedy or comedy depending on the audience, it might be done as well by Eddie Cantor as by a Great Actor. However true such flippancies may be about the type-part of Shylock, they are certainly untrue of the play's great character-part, Portia. And the Arliss tour was memorable for its introduction of the youngest Portia, and one of the best, on record...

Author: /time Magazine | Title: Theatre: Youngest Portia | 3/18/1929 | See Source »

...from Harvard how bad a Scotch comedian could be, that a burr was nothing more than another reason for seeing Doctor Means. Fyffe is a consummate actor, product of the English school of generous gesture. He is as far removed from American vaudeville standards as Ruth Draper or George Arliss. Last night he gave three portraits: an old man, a sailor, and a mildly intoxicated inciter of the proletariat. These are fat material, and Fyffe has brought to them a rollicking voice that was born in the sea chanty rather than the inhaled, lyric school of voice culture...

Author: By G. K. W., | Title: The Crimson Playgoer | 1/31/1929 | See Source »

...George Arliss with subdued strength plays Shylock in "The Merchant of Venice" this week at the Plymouth. He has throttled down the weeping and wildly gesticulating Shylocks to his own restrained taste. Moderation is born of the knowledge that orating Shylocks have long lain in the alley, that age's resignation to evil is in Shylock's limbs, and that this play is leaving the category of the one-part show. When Lorenzo has flown with Jessica and the old man knocks at the door of his house, there is no crescendo from wonder to premonition to fear to sorrow...

Author: By G. K. W., | Title: THE CRIMSON PLAYGOER | 5/11/1928 | See Source »

True, foreign actors are almost always forbidden to act in England. True also that the 60 signers did not have enough influence to cause Mr. Arliss to resign from Equity. Yet it must have been painful for Mr. Arliss to realize that some at least of his ungrateful confreres would go far into the past and repay kindness with spite in the foolish effort to requite their grudge against his country...

Author: /time Magazine | Title: Theatre: Old English | 4/30/1928 | See Source »

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