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...James Croak, featuring a stuffed horse with paper wings crashing through the metal roof of another '63 Chevrolet; The Bicentennial Welfare Cadillac by James Roche, decked out with mirrors and flags; and Ghetto Blaster by Scott Prescott, an Impala converted into a menacing gray tank. French Sculptor Arman has a towering indictment: his Long Term Parking piles 60 cars on top of one another and embeds them in concrete (MOCA shows a model...

Author: /time Magazine | Title: Design: Auto-Intoxication in Los Angeles | 9/10/1984 | See Source »

...took two years for me to design that model," Arman Mohtz '62 tells me, asking that I pay careful attention to the fact that 'government' is in a box and at the bottom. Mohtz likes to think of himself as a 'constitutionalist' rather than a conservative. Like many other delegates, he totes several copies of the Constitution around with him at all times. He opens one. "Congress shall make no law abridging..." Mohtz, a squat little man, gets excited. "That limitation's not on you, not on me, it's on Congress." He tells me of his campaign for Congress...

Author: By Jonathan H. Alter, | Title: The Soap Box, The Ballot Box, The Jury Box and The Cartridge Box | 9/27/1976 | See Source »

Whom do we have in Havana? Arman...

Author: /time Magazine | Title: Art: All Bosch? | 2/7/1972 | See Source »

...goatee and mustache onto a reproduction of the Mono Lisa, Marcel Duchamp made it difficult for anyone looking at the lady thereafter to overlook either the pompous reverence with which she is surrounded or Leonardo's decidedly ambivalent attitude toward women. More recently, Miro, Magritte, Johns, Rauschenberg, Lichtenstein, Arman, Bruce Nauman and Walter de Maria have in various ways dealt memorably with the subject...

Author: /time Magazine | Title: Trends: Statements in Paint | 2/28/1969 | See Source »

...light bulbs lined up inside, four of them shot to bits and bullet holes piercing the case on either side of them. The piece seems to ask the question "When?" as the eye canvasses the damage already done and the mind awaits the next bullet from a ghostly sniper. Arman's smashed guitar glued to a board-a requiem for Harlequin-is an effective device to make death real...

Author: /time Magazine | Title: Exhibitions: Destruction Can Be Beautiful Or Can It? | 5/24/1968 | See Source »

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