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...VAMPIRE ARMAND...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: Rice's Lascivious Vampires | 11/6/1998 | See Source »

...opening cast paired Pollyana Ribeiro as Giselle and Patrick Armand as Albrecht. It was Ribeiro's first time as Giselle and while technically strong, she lacked the artistic refinement and softness that the role requires. She looked too young and cute for the frail and tender Giselle, and while she was technically adept--the balances held and the turns and jumps refined and light--it was unfulfilling...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: It's a Mad, Mad, Mad, Mad World in Boston Ballet's `Giselle' | 10/9/1998 | See Source »

...Patrick Armand was a dashing, flirtatious and thoroughly sexy Count Albrecht. Whether gently tapping on Giselle's door or gazing down while she counted flower petals, his boyish smile would win any woman's heart as it certainly won Giselle's. Throughout the first act, Armand's acting matched both his artistry and technique. His jumps were light, his extensions high and his turns ending in perfect balances. His remorse and anguish at Giselle's death were incredibly real and almost tangible--his acting overshadowed everyone else onstage. He and Ribeiro have been consistently paired together for over a season...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: It's a Mad, Mad, Mad, Mad World in Boston Ballet's `Giselle' | 10/9/1998 | See Source »

...performed by soloist Yuri Yanowsky was technically amazing, with his smooth long lines, streamlined jumps, high extensions and flawless turns. In one word--beautiful. However, his artistry is completely lacking and his acting seemed extremely strained and forced; it was just not enough for the role of Hilarion. Patrick Armand's acting completely overpowered Yanowsky's, and made for lopsided encounters and a lackluster revelation of Albrecht's true identity. Yanowsky has the technical capability. He just desperately needs to work on his acting and artistry...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: It's a Mad, Mad, Mad, Mad World in Boston Ballet's `Giselle' | 10/9/1998 | See Source »

...Love, and Joy: Contrasting Perspectives" was the topic of discussion in the 100th Annual William Belden Noble Lecture series last night. Lecturer Armand M. Nicholi and respondent Joseph B. Martin dealt with the conflicting views of Sigmund Freud's materialism and C.S. Lewis's spirituality in relation to the lecture topic...

Author: By Sarah E. Reckhow, CONTRIBUTING WRITER | Title: Noble Lecture Focuses on Love and Sexuality | 10/7/1998 | See Source »

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