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...Armand M. Nicholi Jr., an associate clinical professor of psychiatry at Harvard Medical School and the Massachusetts General Hospital, treated an audience in Memorial Church last night to the first of three William Belden Noble Lectures...

Author: By Erica R. Michelstein, CONTRIBUTING WRITER | Title: Nicholi Lectures on Moral Law | 10/6/1998 | See Source »

...have also (by word of mouth, seemingly) become an image of success. I left home at 14 to go to the first private high school in the country, the American College of Sofia, where I spent three years, after which I won a scholarship to represent Bulgaria at the Armand Hammer United World College in Montezuma, New Mexico. Two years later I was offered a scholarship by Harvard-Radcliffe...

Author: By Nickolay T. Boyadjiev, | Title: POSTCARD FROM BULGARIA | 6/26/1998 | See Source »

...their children. Instead, we end with collapse of Romeo and Juliet, in a passionate embrace, in front of the tomb--an image that's striking in its very simplicity, and that comes closest to capturing the full power of Shakespeare's play.Boston BalletArtistry and technical finesse make PATRICK ARMAND and POLLYANA RIBEIRO an ideal Romeo and Juliet...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

Despite the defects of choreography and orchestra, the lead dancers manage to partly salvage the ballet. As the starcrossed lovers, Patrick Armand and Pollyana Ribeiro are, in a word, stunning. Their remarkable artistry and faultless technique make the most out of their roles, though ultimately neither can overcome the flawed choreography. Ribeiro, usually "all technique," here proves that she, too, can turn simple steps into flowing movements as she lets her character's emotions make her image softer and more beautiful. In her interactions with the Nurse, and in the crucial solo in which she wavers over whether...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

...Odyssey, seesaws--often uncomfortably--between earnestness and camp in an effort to reach the broadest possible audience. As he did in Gulliver's Travels, Halmi, who makes all the major casting decisions in his productions, has again married a middle-market star to some otherwise TV-unfriendly material. Armand Assante is our Odysseus here. (Conversely, Halmi has a penchant for pairing unnecessarily qualified talent to schlock product. In his 1983 TV movie Svengali, a young Jodie Foster played an aspiring pop star in love with her aging vocal coach, a part that found Peter O'Toole forced to say things...

Author: /time Magazine | Title: TELEVISION: FORGET CLIFFS NOTES | 5/12/1997 | See Source »

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