Word: armanis
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Dates: during 1980-1989
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...skins, has, in part, boosted the new fad by encouraging designers to play with the unreal thing in their lines. Designer Christian Lacroix's fringed panther-print polymid shawl ($470) is hot stuff. Patrick Kelly has scored with skinny dresses in leopard stretch velvet ($340), and even purist Giorgio Armani uses mock lynx for a duffle coat in the Emporio Armani line ($685). After dark, the more the merrier seems to be the rule. Says Annie Allanche, a manager at Paris' Irie boutique: "Women are mixing leopard, tiger, giraffe and ocelot for evening...
Leland's successes came in part because he was hard not to like, and he would not give up. The dashiki he wore in the Texas legislature gave way to Armani suits, the clenched fist to working within the system. After persuading New Jersey Republican Congresswoman Margaret Roukema to join him on a trip to Africa in 1984, Leland got in to see Ronald Reagan, who then agreed to support more foreign food aid and order ships loaded with grain to head for Ethiopia. Leland leaves his wife Alison, who is two months pregnant, a son -- and a world less...
...struck him as so ugly, so splotched with color, that he left it hanging in his room for a week. But people loved it, people who'd never looked at him twice, except in dismay. So he is meekly agreeable when Henderson puts him in a midnight blue Giorgio Armani suit with tone-on- tone striping. "To me, that's a front-of-the-room look," she declares...
...imprimatur, separating himself from the excellent elegances of Milan in favor of the more experimental company in Paris. The intrepid Japanese designers show their stuff in Paris; so do the haut trendies like Jean-Paul Gaultier and Claude Montana. The company is faster there than in Milan, where Giorgio Armani, Italy's premier talent, casts a very long shadow indeed. "Presumptuous," is the way Armani characterizes Gigli's move, adding, "He may want to be international, but his move is premature...
...time of flux, when the fashion establishment, still shell-shocked by the '60s, was not quite so restrictive. Italy came on with a rush of fresh talent: dazzling designers (like the Missonis), some fine hands (like Gianfranco Ferre) and some naughty boys (like Gianni Versace). But, in Armani, it produced just a | single world beater. Paris, on the other hand, can still offer a wider spectrum: sumptuous Saint Laurent, engaging Lagerfeld, generative Miyake, fast-flash Gaultier, ebullient Patrick Kelly. As ever, it is center stage, the arena on which designers want most to play, especially if they are coming...