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Often the changes aren't exactly germane--the new Armani Cafe on Newbury Street, with its black-clad, chablis-sipping malcontents struggling to get tables on the sidewalk, just doesn't make sense in a city where high society remains unseen. The Other Side Cafe moved into the Back Bay fully intent on bringing Seattle grunge to Boston; once its owners realized that Bostonians didn't need (and, in their famously parochial way, didn't want) imported culture, they toned the grunge down...

Author: By Michael K. Mayo, | Title: Saying Goodbye to Beantown | 6/9/1994 | See Source »

...selling sex, they were kissing babies. Altman should have been at Milan's Blumarine show when model Carla Bruni rolled a baby carriage containing another model down the runway. High-waisted baby-doll dresses, started by New York's Anna Sui last year, are ubiquitous in 1994. Even Giorgio Armani, who should know better, has one. Going along with the fake-innocent look are Peter Pan collars -- last seen on Mrs. Doubtfire -- that will be in the stores by fall...

Author: /time Magazine | Title: Fashion's Fall | 4/25/1994 | See Source »

...demon. Tom Berenger is Jake Taylon, the arthritic catcher who must deal with retirement; Omar Epps is Willie Mays Hayes who has forsaken baseball for Hollywood glitz: Charlie Sheen reprises his role as Rick "Wild Thing" Vaughn, the sport's bad boy who has traded in his Harley for Armani suits, a therapist, and cheesy cereal commercials. They have their requisite moments of epiphany, laughter, and tears. The peripheral characters help fill in the rest of the stuffing for the plot and itsplodding humor: the salty coach, the evil owner, the arrogant player on the rival team...

Author: By Susan S. Lee, | Title: `Major' Strikeout | 4/7/1994 | See Source »

BEST PERFORMANCE IN ARMANI AND A HEADSET. How did the agents do? Of the seven winners in the acting, writing and directing categories, CAA represents three (Spielberg, Tom Hanks and Jane Campion), ICM two (Holly Hunter and Tommy Lee Jones), and the little-known Harold Greene Agency one (Schindler's List screenwriter Steven Zaillian). Eleven-year-old Anna Paquin is represented by the even-less-known Double Happy agency of New Zealand. The William Morris Agency was shut...

Author: /time Magazine | Title: The Absolutely Last Oscar Piece You Have to Read in 1994 | 4/4/1994 | See Source »

...closed his eyes for much of this tune, moving his head slowly side to side as he listened to his band. Watson was his characteristic self on this tune, looking like a sly serpent when he blew into his golden saxophone and smiled deviously. He slowly gyrated in his Armani suit as he played, moving his enormous aerodyamic Afro, like something from a Schlitz malt liquor ad. When his solo shot up to the high end breathlessly, it was easy to see why he is heralded as on of the best saxophonists of his generation. When the piano's turn...

Author: By Eric D. Plaks, | Title: Stellar Sextet Puts On All That Jazz | 3/24/1994 | See Source »

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