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Rising senior Mikhaela G. Agnion Armendariz, 17, says he came to Harvard in part to take a biology course, although he adds: “Also, to be honest, I wanted to meet people...

Author: By Samuel C. Scott, CRIMSON STAFF WRITER | Title: Passion, Padding Draw H.S. Students | 7/22/2005 | See Source »

...great Lotte Lenya has lowered herself to appear as Rosa Klebb, the lesbian SPECTRE spymaster who starts the diabolical plan against Bond in motion. She's come a long way from Dreigroschenoper but still manages an effective performance. That Pedro Armendariz seems better as a Mexican revolutionary (his traditional role) than as Bond's Turkish sidekick is largely due to his limited versatility as an actor. Red Granitski, the homicidal fiend of the novel, has been tamed down to a cold war equivalent of a Murder, Inc., thug--the change makes him much more frightening. Unfortunately, the fellow selected...

Author: By Charles S. Whitman, | Title: From Russia With Love | 5/14/1964 | See Source »

Died. Pedro Armendariz, 51, lusty Mexican he-man heavy in innumerable Hollywood westerns (Fort Apache), best remembered for his portrayal of a bedeviled fisherman in the 1948 Mexican masterpiece, The Pearl; by his own hand (.357 Magnum Colt revolver); in Los Angeles, Calif...

Author: /time Magazine | Title: Milestones: Jun. 28, 1963 | 6/28/1963 | See Source »

...Mexico and grew up a pistolero in the service of a provincial dictator. While he says he is from Missouri, he sounds like an Aztec exchange student after six terms at C.C.N.Y. He fords the Rio Grande on a mission to the U.S. for his Chihuahuan master (Pedro Armendariz). There he breaks a leg, is forced to stay over for two months, and suddenly he is the most sought-after man in town. A U.S. Army major (Gary Merrill) wants him to help form joint U.S.-Mexican battalions to go after the Apaches, the Texas Rangers want to give...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 5, 1959 | 10/5/1959 | See Source »

...Disney) is what the trade calls a "wetback," i.e., a Hollywood picture made in Mexico to save money. The story is all about a little Mexican boy (Andres Velasques) and a big chestnut horse that kiss each other. When the horse is condemned to death by its master (Pedro Armendariz), the little boy steals it and becomes what the title so stickily suggests. He hides the horse successively in a smithy, a barbershop, a ruined hacienda, a boxcar, a church. In transit, the camera takes the usual tourist shots of cactus, fiestas, religious processions, fireworks, cactus. They are all colorful...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 23, 1956 | 1/23/1956 | See Source »

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