Word: armes
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Dates: during 1960-1969
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...Greenson, because the "cello is more of a grown-up figure, yet passive." Musicologist Dorothy Bales sees the struggle of the string players as "a need to put the self together-to join the yang and yin of their personality. They try to do this by coordinating their right arm with their left." Like all artists, she says, musicians are "a combination of the hysterical and compulsive...
Black Comedy's monkeyshines are brought to a high polish by an acrobatically agile cast, but the players might have been spared some arm-and-leg-work if Playwright Shaffer had pared the show and tightened the pace. Choosing to be optically antic, he evades the opportunity to show how the eye lies and the mind's eye ferrets out reality -which might have given the evening more intellectual relish, a sort of Pirandello flavor. In a one-act opener called White Lies, Shaffer tries to be wise rather than clever about lovers and lovelessness. As an impoverished...
...Henjyoji has at times successfully used the cradle from standing position. Once again, it's because of his relative shortness. His opponents tend to bend over in order to guard their legs. He has managed to grab both a hanging arm and a leg while standing to fall into the cradle combination...
...fast around the league. Opponents enter matches determined not to let him get the cradle. They cross their legs at the ankles--this is while they're on the mats of course--or they struggle to keep him from locking his hands if he does manage to slip his arm around their arm...
When a taller opponent is bending over with arms draped loosely in front of him,. Naylor pounces. He steps in, hooks one arm (see pictures), reaches across the man's front to hook the other arm, then falls back. Naylor's leg arches his opponent onto his back, and his arms remain hooked for a deadly pinning combination...