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Word: armes (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...first down at the Harvard 26-yard line,junior quarterback Rich Linden dropped back topass. Senior linebacker Ernest Dean broke throughthe Harvard line and laid his shoulder on Linden,who had raised his right arm and was ready topass. The ball popped out of Linden's hand, thereferees ruled the play a fumble rather than anincomplete pass and Brown defensive tackle FryWernick pounced on the ball at the Harvard 16-yardline...

Author: By Zevi M. Gutfreund, CRIMSON STAFF WRITER | Title: Football Swamped by Bears | 11/9/1998 | See Source »

Coyne finished with 42 yards on the day, as didsophomore running back Michael Powell. But thebulk of Brown's offense came from the arm ofPerry, who completed 30 of 43 pass attempts for281 yards and two touchdowns...

Author: By Zevi M. Gutfreund, CRIMSON STAFF WRITER | Title: Football Swamped by Bears | 11/9/1998 | See Source »

...first down at the Harvard 26-yard line,junior quarterback Rich Linden dropped back topass. Senior linebacker Ernest Dean broke throughthe Harvard line and laid his shoulder on Linden,who had raised his right arm and was ready topass. The ball popped out of Linden's hand, thereferees ruled the play a fumble rather than anincomplete pass and Brown defensive tackle FryWernick pounced on the ball at the Harvard 16-yardline...

Author: By Michael R. Volonnino, SPECIAL TO THE CRIMSON | Title: M. Hockey Tops UMass 3-1, Breaks Even for Weekend | 11/9/1998 | See Source »

Coyne finished with 42 yards on the day, as didsophomore running back Michael Powell. But thebulk of Brown's offense came from the arm ofPerry, who completed 30 of 43 pass attempts for281 yards and two touchdowns...

Author: By Michael R. Volonnino, SPECIAL TO THE CRIMSON | Title: M. Hockey Tops UMass 3-1, Breaks Even for Weekend | 11/9/1998 | See Source »

...illuminated by sprays of colored light, shifting shape and texture with each transition in the choreography. The audience was overwhelmed by the sheer strength of movement and the intensity of the combinations, both enhanced by the prowess of the Conservatory dancers. Each solo was marked by particular nuances: expansive arm movements, sweeping lunges, and rhythmic patterns of stomping. No musical accompaniment was necessary to supplement the piece's climaxes in mood, which were matched by the heaving chests and abrupt breaths of the powerful dancers. Limon's Native American style of choreography created an otherworldly ambiance and spiritual under-toning...

Author: By Eloise D. Austin, CONTRIBUTING WRITER | Title: Legends of Dance | 11/6/1998 | See Source »

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