Word: armfuls
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Dates: during 2000-2009
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...piled around the fireplace, and the President of the United States is pretty close to lounging in Armchair One. He's wearing a blue pinstripe suit, and his shoes are shined bright enough to shave in. He is loose, lively, framing a point with his hands or extending his arm with his fingers up as though he's throwing a big idea gently across the room...
...going on, so I haven't been in a very reflective mood," says the man who has just replaced half his Cabinet, dispatched 12,000 more troops into battle, arm wrestled lawmakers over an intelligence bill, held his third economic summit and begun to lay the second-term paving stones on which he will walk off into history. Asked about his re-election, he replies, "I think over the Christmas holidays it'll all sink...
...next, in 1981; color in 1992. Today TCL is China's second biggest producer of mobile phones, and Li wants to become No. 1 in air conditioners. But competition remains fierce among Chinese electronics firms. To stay ahead, Li last year paid $560 million for control of the TV arm of the French consumer-products giant Thomson, which owned the RCA brand. The next step won't be easy. Thomson's TV operations lost $130 million last year, and Li acknowledges that RCA is known as "the TV that old people watch." In the third quarter of this year...
...fame alone doesn't really pay the bills. No other CEO has combined celebrity and smart branding quite like Sean (P. Diddy) Combs, 35, head of the sprawling Bad Boy Worldwide Entertainment Group. Combs' $300 million urban empire includes a hip-hop record label, two restaurants, a music-publishing arm and a marketing company, Blue Flame, which teaches FORTUNE 500 clients like Pepsi and Microsoft how to reach an inner-city audience. And in June, Bad Boy's crown jewel, the Sean John clothing line, earned Combs the Menswear Designer of the Year Award from the Council of Fashion Designers...
...show, entitled “Behold That Star,” presented a series of star performances and empowering pieces. Never before have I witnessed so many standing ovations in one performance. Each song in the set evoked a response from the audience, ranging from arm-waving dance to closed-eyed introspection, and director Sheldon K. X. Reid ’96 reinforced the impact of the performance in his sound-bite invitation to join in the power of “interactive experience,” but there was no need to solicit participation. Fathers and daughters swayed...