Word: arming
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Dates: during 1960-1969
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...Fame, the New York Herald Tribune's Eugenia Sheppard became curious about the new glad rags and sent a photographer over to Mrs. Ford's apartment to make a formal portrait. It was all quite formal indeed, until Mrs. Ford elegantly flopped her legs over the arm of a chair. "Stay that way," said the photographer. "It's sorta cute...
...Dinh Nhu. Why was Ramparts celebrating South Viet Nam's Dragon Lady? And what on earth was she doing in a Michigan State cheerleader's costume? Two lines of type above the cover caricature explained all: THE UNIVERSITY ON THE MAKE (OR HOW M.S.U. HELPED ARM MADAME NHU). Ramparts, a contentious Roman Catholic monthly published on the West Coast, was firing its latest broadside in a long and shrill campaign against U.S. policy in Viet...
...foreign companies. Keshub Mahindra, 42 (University of Pennsylvania '47), controls 15 companies that make, among other goods, Jeeps in conjunction with Kaiser, tractors with International Harvester, and elevators with Otis Elevator. Hari Nanda, 48, of New Delhi makes everything from railroad couplers to razor blades, is now manufacturing arm tractors designed in India with French engines and Polish transmissions, as well as a baby tractor priced at $1,000, the cost of three teams of bullocks...
...bench and lifting sandbags to strengthen the right shoulder which was operated on for removal of a bone chip last winter. The Yanks' new centerfielder was Roy White, a 22-year-old rookie who has never played anything but second base before, Whitey Ford's sore arm was nowhere near as sore as his head-after he pitched seven innings against the Mets' Jacksonville farm club and gave up nine hits, a walk, two homers and four runs. "Kids!" he complained. "They think a slider is a curve that didn't break and a change...
...this youthful Madonna, despite their hierarchic gestures, are close kin to flesh and blood. Subtly but simply, the artist has divided his composition in two: at right, the blue haze dissolves into atmospheric depth; while at left, the leafy, lemon-bearing latticework seems to push the Madonna's arm forward. The artist flips her cloak inside out to balance the push and pull between foreground and background, playing its green lining against distant hills, its blue surface against the trellis...