Word: armorer
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...month run in Washington, which could be a corker. In the Oval Office last week for an interview with TIME, he looked healthier and more vigorous than recent press accounts have portrayed him. Yet he has been burned and battered by events and people, and his caution was like armor -- a shield that every modern President adopts eventually, no matter what vows he makes about open communion to the end. "There's always a target painted on the Chief Executive's door," he says...
...Exeter, Perry studied hard but adopted a street-savvy swagger to mask his own insecurities. He was obsessed with race and brandished his blackness as both emblem and armor: he declared that he had a mission to help his people and bitterly attacked the school for racism often more imagined than real. But beneath his angry rhetoric lurked a secret, which Anson stumbles on almost by accident: Eddie was dealing drugs...
...weaponry, a relatively inexpensive frigate like the Stark is not made to fight on its own. With medium-range striking power and armor less than an inch thick (the plating on the battleship New Jersey is up to 17 inches thick), the Stark is an escort ship designed for what Naval Analyst Bruce Linder calls a "low-threat environment" far less intense than what a naval battle group would encounter in wartime. The Navy is acquiring 50 of these Perry-class frigates, the largest class of U.S. combat ships built since 1945. Linder predicts that the ship "may quickly confront...
Granted, the premise of Aias is funny in a sick sort of way. After Achilles becomes a casualty of the Trojan War, the Greeks honor the clever Odysseus (Thomas Hale), not the fierce but heroic Aias (Daniel Vilmure), with Achilles' armor. Snubbed, Aias swears revenge on the ungrateful Greeks, but in the madness of his rampage, slaughters not the Greeks but their sheep. All the gore happens offstage, except for one scene in which Aias' tent is so packed with bloody sheep car-casses that it looks like a meat locker...
...into marrying Pat De Cicco, an undercapitalized Hollywood playboy who is tall, dark and abusive. Eventually the search for daddy leads to Conductor Leopold Stokowski, 42 years her senior. Gloria also holds hands with Orson Welles and spends some wee, small hours of the morning with Frank Sinatra. The armor of such black, white and occasional gray knights is not deeply penetrated. Vanderbilt is more absorbed in her younger self, which she encases in a shell of hard, polished prose. It is a stylish, though distinctly cool, portrayal of the realities of a fairy-tale life...