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...notable for its economy, not of language, but of encounters. The scenes which Cacoyannis writes in are stirringly photographed but dramatically useless, and they seem even more gratuitous when invoking countless cliches. Take the first moments in the film: after the opening shot of a spear and some armor sitting on a rock in the hot sun, the camera rousingly pans the still ships, accelerating as it goes along, and ends in a shot of the entire beach, covered with naked, sweating Greek soldiers. In a moment, the Greeks divide respectfully into two lines, as Agamemnon and Menelaus ride through...

Author: By David B. Edelstein, | Title: A Tragedy--but not a Total Loss | 1/16/1978 | See Source »

...Weapon, and then the Israeli Hatikvah. In a hushed, deeply moving tableau, Sadat walked along the receiving line with Israeli Premier Menachem Begin to greet the old and resolute enemies: former Premiers Yitzhak Rabin and Golda Meir, Foreign Minister Moshe Dayan, Ariel Sharon, "Israel's Patton," who thrust Israeli armor deep into Egypt in the October...

Author: /time Magazine | Title: Man Of The Year: Anwar Sadat: Architect of a New Mideast | 1/2/1978 | See Source »

...followed with a series of quick, pacific gestures. He accepted a cease-fire with Israel and asked for a Geneva conference. Less than three weeks after ordering his armor into the Suez Canal area, he called in a building contractor, his friend Osman Ahmed Osman. Sadat's instructions: prepare a plan for reconstructing the war-ruined cities along the Suez Canal. Sadat told Osman: "I want to rebuild those towns right within range of Israeli guns. I want to show the Israelis that I don't intend to make war against them again...

Author: /time Magazine | Title: Man Of The Year: Anwar Sadat: Architect of a New Mideast | 1/2/1978 | See Source »

Joan the Maid is Shaw in yet another transparent disguise. It is not difficult to imagine him in medieval armor wielding a righteous sword against the dragons of this world. Scene by scene, Saint Joan is rather like an extended series of lectures, a kind of droning college seminar labeled "The Protestant Ethic and the Spirit of Nationalism...

Author: /time Magazine | Title: Theater: Rebel in Arms | 12/26/1977 | See Source »

...both bravura acting and a careful attention to detail, come to represent "all the world," while the court scenes, marked by all too pregnant pregnant pauses and constant upstaging, represent nothing so much as the players' own simple-minded political maneuvers. Through this serious chink in the production's armor, one can glimpse the basic weakness of the play; in this dramatic as in the political world position triumphs over character...

Author: By Diane Sherlock, | Title: The Kingdom and the Power | 12/15/1977 | See Source »

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