Word: armorers
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...Bible. Like many, a Dutch townsman who struck it rich, Rembrandt splurged wildly, bought up collections of armor and costumes that he could use as painting props, moved into a palatial house on the edge of Amsterdam's Jewish Quarter. His drawings and etchings spread his fame the breadth of Europe. But his years of commercial success began to wane when his masterpiece, Captain Banning Cocq's Shooting Company (known as The Night Watch before its recent cleaning revealed a late-afternoon scene), met with disapproval from patrons who found themselves lost in the parade...
Knighthood in all its panoply was on display again last week in Manhattan's Metropolitan Museum of Art. To the delight of youngsters and oldsters alike, the Met's armor collection, second only to the great European collections in Vienna, Madrid and Paris, was back after five years in storage and on loan while the collection's ten galleries and corridors were being renovated. There was no doubt that the armor had been missed; up to 2,800 visitors a day thronged the main, banner-decked central court, to see the pick of an array that ranges...
Plumes for the Joust. "A homogeneous suit of medieval armor is much rarer than a medieval castle or cathedral," says the Met's Arms and Armor Curator Stephen V. Grancsay. But the few suits that have survived show that by the mid-15th century, armorers had achieved near perfection in their art. Making suits of as many as 120 separate pieces, they could completely sheathe a knight in skillfully molded armor, elegant in its burnished, plain surfaces, and so meticulously fitted that it followed the play of each muscle, the hinging of each joint. Viewed simply as objects...
...knighthood came to full flower, the well-equipped knight needed as many as six suits to fulfill his ceremonial and battle functions. His armorers replaced the earlier painted decorations by designs etched with acid, a technique used on armor long before it became an artist's medium. On his jousting armor, they added elaborate horned devices and feathered plumes, cushioning his stallion with heavy velvet "peytrels," i.e., chest protectors, and bedecking his lances with ribbons...
...clash of strong cultures is likely to be a god-eat-god affair. Each may conceive the other as strange, wrongheaded, downright wicked. An individual caught up in such a conflict sees himself as a missioner to the heathen, clad in the righteous armor of the sole truth, his own. In this compact novel of grace and distinction, John (Hiroshima, The Wall) Hersey captures the essential pathos of such culture struggles, seeing them as encounters between two goods rather than between good and evil. In A Single Pebble, a story set against the backdrop of the China of three decades...