Word: armstrong
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Dates: during 1950-1959
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Left halfback Hobie Armstrong, the Yardlings' own Jim Brown, was the work-horse of the team, making several crucial first downs. Hatch, however, was the star of the day. In the fourth period, with fourth down and 20 yards to go, and the Crimson in punt formation, Hatch was trapped behind the line, but broke away around left end for first down deep in Dartmouth territory...
...Armstrong Circle Theatre (CBS, 10-11 p.m.). A semi-documentary dramatization of last March's prison riot in Walpole, Mass., during which the warden, chaplain and guards were seized as hostages, soaked with gasoline and threatened with fiery death...
...outweigh the Crimson by as muc has 30 pounds a man, but Harvard will probably have an advantage in speed. Last Saturday in the Yardlings' 38-20 win over Tufts, for example, Hobie Armstrong at left half ran back two punts, both for touchdowns, and carried a pass 30 yards for a third tally. Chuck Taylor at right half also ran well; and Bill Hatch, playing second-string right half, scored a touchdown from the 20-yard line...
...agent into giving her an audition. The inflections she learned on the Manhattan streets where she grew up held her back for a few months. But before long she was doing TV commercials and playing some small parts on such dramatic shows as the U.S. Steel Hour. (On the Armstrong show about the liner Andrea Doria, Patty was the child tossed overboard by her mother.) Soon Patty had worked up to a leading part and rave notices for her performance in The Prince and the Pauper...
...moment the camera focused on the kids in the cast, Armstrong Circle Theater's Zone of Silence (CBS) changed from a quiet, competent documentary into a warm and moving play. A tour through The Bronx's St. Joseph's School for the Deaf turned into a tense, hour-long exploration of all the dimensions of a handicapped child's difficulties. With consistent skill, none of the youngsters ever seemed to slip out of the isolating "zone of silence," but none of them fitted the difficult script with more professional precision than a blue-eyed, bang-trimmed...