Word: armstrong
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Dates: during 1960-1969
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...space program, and plan to spend two days in continuous coverage (Sunday, July 20-Monday, July 21), when the descent to the moon's surface is scheduled. A camera in the lunar module will transmit, live, man's first step on the moon, and Astronauts Aldrin and Armstrong as they collect rock samples. Later, the timetable calls for progress reports on re-entry and splashdown in the Pacific. A final summation of the nine-day journey will be broadcast on each of the three networks on Thursday, July 24, in prime time...
...vehicles that will take Astronauts Neil Armstrong, Edwin Aldrin and Michael Collins on their epic journey have been aptly named. The lunar module that will land on the moon's surface has been christened Eagle because, Armstrong said, it is "representative of the flight and the nation's hope." The command module that will carry the astronauts back to earth has been dubbed Columbia, a close approximation of Columbiad, the name that Jules Verne gave to his lunar craft in his 1865 novel, From the Earth to the Moon. Prophetically, Verne launched Columbiad from a site in Florida...
...first four days of their climactic mission, Astronauts Armstrong, Aldrin and Collins will follow closely the space route taken by Apollo 10 in May. Until the lunar module swoops to within 50,000 ft. of the moon, the Apollo 11 crew will face familiar challenges and risks. A minor malfunction could turn the flight into a simple earth-orbital mission or a quick loop around the moon. A more calamitous equipment failure could cause Apollo 11 to crash into the moon or leave the craft stranded in lunar orbit. But from the moment that Houston radios...
...will touch down. The first contact with lunar soil will be made by 5-ft. probes dangling from the LM's footpads. When the probes brush the surface, two lights the size of half-dollars will begin flashing in the LM under the white-lettered words, "lunar contact," and Armstrong will cut off the engine. The LM will then drop the last few feet to the surface, touching down at 4:19 p.m. (E.D.T.) on Sunday...
...traditional jazzmen. Some were almost unknown; others had been forgotten, lost, or given up for dead. Some had never played for white audiences before. Some had led proud, full bands before the depression. Nearly all of them had played with the greats of New Orleans jazz in their youths--Armstrong, Edmund Hall, Johnny Dodds, King Oliver, Sidney Bechet. These were just fellow musicians to these old men. There were only a handful of active musicians when Preservation Hall opened its gates to French Quarter audiences. When it became successful, the few active professionals were joined by others...