Word: arneson
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Dates: during 1960-1969
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...categories: works of visual humor and three-dimensional drawings of literary witticisms. While plenty of fine, hard-to-handle glazes and well-made vessels were shown, the ceramicists (concentrated at Boston University) seemed to be the chief jokesters among craftsmen. In his six-foot high "Alice House Wall" Robert Arneson builds earthenware "stones" into a picture of a landscape with a ranch house. But its humor isn't in the subject-it's in the way the "stones" jostle and hug each other, and how the different blues, greens, oranges, pinks, and other unevenly applied glazes look next...
...craftsmen. Blown glass potato chips really have to be seen to be visualized. The idea of doing this subject in such an elegant and delicate media. complete with paper napkins, plaster milk, and on an ordinary cafeteria tray really strikes the literary more than the visual funny bone. And Arneson's gawky earthenware bathroom sink is so literary that it even has a punchline-the brown splotch in the bowl is labeled "hard to get out stain...
Specimens & Offerings. In San Francisco, Robert Arneson, 37, started out making pornographic telephones incorporating both male and female genitalia and typewriters with keyboards of secretaries' red-nailed fingers. He has since graduated to relatively clean flowerpots and realistic, 8-ft.-long clay models of his ranch house at 1303 Alice Street. Australian-born Margaret Dodd has created a rococo ceramic line of miniature cars, ranging from a Volkswagen microbus to a 1937 La Salle. David Gilhooly, 25, molds dyspeptic hippos, crocodiles and warthogs that possess much of the pudgy charm of their 6-ft. 5-in. 250-lb. creator...
...longer. Last week a show of funk art at the Berkeley museum drew thousands of the curious, intrigued by reports that funk art is also often more than a little obscene. Robert Arneson's vaguely phallic telephone, with LOVER spelled out on its dial, is merely suggestive, but William Morehouse's The Colony had a fatherly security guard blushing furiously as he confided to a female gallerygoer that "some people say those round things are supposed to be female organs...
Under the flags stood Boston's most faithful counterdemonstrators, the Polish Freedom Fighters, brandishing a "Bomb Hanoi" placard. One of them, who gave his name as Cliff Arneson and said he had just gotten out of the service, mounted an overturned trash can and began haranguing people about the necessity to fight in Vietnam "to preserve our freedom and theirs...