Word: arnhem
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Dates: during 2000-2009
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...cyclone watch at Gunyungarra, Gulumbu Yunupingu speaks gently into her mobile phone: "We're waiting on Cyclone Monica. Coming this way." It's late April in Northeast Arnhem Land, in Australia's Top End, and until the rains came, Yunupingu, an expert in art and bush medicine, had been foraging for yam. Now, as well as the category five storm to worry about, there's her exhibition debut in Paris looming on the horizon, and the mother of four has returned to her community near Yirrkala to paint. As it transpires, over the course of the next few days Monica...
...painted universe of stars, gan'yumirri garak, and from next month her work will help guide international audiences through a new era of Aboriginal art at the Mus?e du quai Branly in Paris. Across 250 sq m of ceiling, her painted mural will transform a curatorial library into an Arnhem Land night, luminous with a different kind of knowledge. "The stars tell stories to Yolngu people," she says...
...From its beginnings on cave walls at least 20,000 years ago, Aboriginal art has continually shifted shape like the rainbow serpent Ngalyod, the culture's enduring creation figure: from the X-ray styles of ancient Arnhem Land to colonial-era paintings on bark; from Albert Namatjira's mid-century watercolors at Hermannsburg to the contemporary cultural renaissance that is the Western Desert Art Movement, and its fertile offspring. Recently described by former Aboriginal Affairs Minister Amanda Vanstone as "Australia's greatest cultural treasure," it is an industry conservatively worth $A200 million a year (see following story). But its complexity...
...thing." While the Aboriginal concept of the Dreaming "forces one to think differently, and in a less linear way, about the relationship between creativity and form in art," as anthropologist Howard Morphy wrote, a natural entry point for the building is the bark painting tradition of Arnhem Land...
...tradition that's been rich and sustained over a long period of time," says Susan Hunt, curator of the 1999 show "Terre Napol?on: Australia Through French Eyes." "So this hasn't just come from nowhere." Indeed, during the 1950s, Paris-based artist Karel Kupka was the first to collect Arnhem Land barks as pieces of art, not anthropology; many of them will be displayed for the first time in MQB. "He was the first to recognize the individuality of each artist," says French-born Apolline Kohen, director of Maningrida Arts and Culture, creative home to John Mawurndjul. In fact...