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...extract tribute. It does not seek military occupation. It is not interested in acquiring territory--indeed, it specializes in giving it up, as shown in the Philippines and Panama. Economically, the world has prospered under the open trading system the U.S. supports. And culturally, America is a hit. Arnold is a universal icon. Latvians like their Levi's. And everyone loves McDonald...

Author: /time Magazine | Title: A Second American Century? | 12/27/1999 | See Source »

...manliness, which is not always an oxymoron. He is intelligent but not reflective, independent (the "00" in "007" represents a license to kill) but not reckless, reliable but not predictable. Consider, by contrast, the brutish strength of professional athletes, or the thoughtless braggadocio of action heroes like Sylvester Stallone, Arnold Schwarzenegger and the like. Bond is a caricature of manliness, to be sure, but not an altogether unflattering...

Author: By Hugh P. Liebert, | Title: Always an Icon, A Bond in the '90s | 11/23/1999 | See Source »

...unmanageable cast of characters, many of whom are demoted to ornamental, cardboard cut-out status in the three-hour world of the theatre. There's Amos Force (Keith Perry), the conservative Yankee who will do whatever it takes to see the Irish mayor lose; Francis Jr. (John P. Arnold), the mayor's playboy, finger-snapping son; obsequious, bumbling Ditto (Paul Kerry), the mayor's would-be right-hand man, and so on, and so on. Though there is some fine acting in the mix, none of these characters is on stage long enough to provide more than a suggestion...

Author: By Matthew B. Sussman, CONTRIBUTING WRITER | Title: The Last Hurrah Wins No Cheers | 11/5/1999 | See Source »

...sister problem of hiring good employees is keeping them. Fattening employees' paychecks is not always enough to get them to stay. Says Arnold Sanow, a small-business strategist and author of Entrepreneur Boot Camp: "Money is important, but you can get a job anywhere today. Why stay where you're not appreciated...

Author: /time Magazine | Title: Struggling With Success | 11/1/1999 | See Source »

...Pagliacci. Sure enough, the tale of Eddie Carbone (baritone Kim Josephson), a middle-aged longshoreman who lusts after his young niece Catherine (soprano Juliana Rambaldi), has verismo stamped all over it, right down to the climactic knife fight. In this new version, adapted by Miller and co-librettist Arnold Weinstein, View has acquired a Greek chorus that comments on the unfolding disaster, though the overall effect remains faithful to the original play. Think of West Side Story, only with the kids grown up--and angrier...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

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