Word: arnolds
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Dates: during 2000-2009
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...abated the stress of a flyer with heart problems b) Tom Arnold paid full fare c) Coach seats squeeze delicate hocks...
Schulte, along with pianist James Winn, opened with Arnold Schoenberg's Phantasy for Violin with Piano Accompaniment. The pair played with near-perfect coordination. One immediately noticed how Schulte's idiosyncrasies, like his rather unusual handling of the bow, were used to effective ends. His attack was extraordinary, and he released his bow with a preciseness and rapidity that seemed both risky and impossible...
...movie theaters, it's a wasteland of retreads. Rugrats in Paris and 102 Dalmatians are unwelcome sequels, The Grinch is an uninvited, ill-intentioned remake (it was the first movie I've walked out of since Boxing Helena), The Sixth Day is another Arnold clone (my brother carped, "I saw that last year"; "Nooo. That was End of Days," I answered). Unbreakable has its charms, but it also relies on the same pacing, colors, stars (Willis and a Haley Joel look-alike), and even kitchen (!) as The Sixth Sense. Bounce showcases a been-there-done-that Benneth love affair, Charlie...
...Lady Croom, the aristocrats who own Sidley Park. Jana Howland's costume design evokes the complexity of period dress through relatively simple outfits, which seem credible but not overwrought. In the present-day scenes, academics Hannah Jarvis (Megan Robertson '04), the quiet, shrewd, studious scholar, and Bernard Nightingale (John Arnold, a professional), the arrogant, flamboyant publicity-monger, spar with each other in even more perfectly chosen accoutrements. Jarvis wears flats and a baggy sweater, Nightingale a tailored three-piece suit and elaborate facial hair. The production's selection of properties, which range from a brace of hunting pistols...
...Indeed, the words are most memorable here, and for the most part the actors do them justice. Sadly, British accents are rather uniformly weak; with the exception of Arnold, the best the actors achieve is a consistent and inoffensive muddle of British and American English. On balance, the present-day scenes are slightly better than those set in the past. Robertson and Arnold are excellent in their exchanges with each other; they recognize the extreme dryness of Stoppard's wit and construct their characters accordingly. Geordie Broadwater '04 is also outstanding in these scenes as Valentine Coverly, a member...