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...most outspoken critics of teaching hospitals affiliating with for-profit companies is Dr. Arnold Relman, editor of the New England Journal of Medicine. He acknowledges that outright sales or lease arrangements like McLean is considering may help hospitals in the short run, but he fears the long term implications of people concerned with maximizing profits having a hand in administering teaching and research. He said that hospitals like McLean should avoid deals such as the one being discussed and that the government should take a more active role in supporting teaching and research...

Author: By John F. Baughman, | Title: McLean May Be Leased To For-Profit Company | 6/5/1984 | See Source »

...approach the film. They seem impatient to tell the story to the audience, not allowing the characters to speak for themselves. Whereas in Ordinary People Conrad's guilt over is brothers death is gradually drawn out over the course of the film and not being explained until its climax, Arnold's accidental shooting of his older brother occurs within the first five minutes of the Stone Boys. Before we can even get into Arnold's head, the police sirens and funeral bells can already be heard...

Author: By David B. Pollack, | Title: Sticks and Stones | 5/18/1984 | See Source »

Additionally, though Arnold's initial unwillingness to communicate to anyone but his wise old grandfather (Wilford Brimley) is ostensibly the central issue of the film, partially developed side-plots frequently creep in. The exploits and marital problems of Arnold's uncle Andy, for example, occupy a significant part of the movie, for no apparent reason other than to ultimately send Arnold on a cross-country bus journey to the glittery world of Las Vegas. It is there that Arthur begins to open up express his emotions, and in a moving, if somewhat contrived, scene aboard a bus, Arnold (Jason Presson...

Author: By David B. Pollack, | Title: Sticks and Stones | 5/18/1984 | See Source »

...story of crisis, The Stone Boy is also the story of a boy's growing up. Arthur's transition from adolescence to manhood produces some of the film's most memorable and painful scenes, including a moving confessional by Robert Duvall that he is lonely and wants his son Arnold to come home. The scenes between Close and Duvall also are highly powerful, though occasionally encumbered by trite phrases...

Author: By David B. Pollack, | Title: Sticks and Stones | 5/18/1984 | See Source »

...Real Thing, by contrast, is love, intimacy, fidelity and trust in marriage. To M.D. Aesechliman, who has written a marvelously moving review of Stoppard's play in the April 6, 1984 National Revies the sentiments expressed in the Real Thingrecall these lines from Mathew Arnold's Dover Beach...

Author: By Maurice DEG. Ford, | Title: Harvard as Wasteland | 5/3/1984 | See Source »

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