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Word: arons (lookup in dictionary) (lookup stats)
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...Mike Aron, Dan Orlovsky, and Dean Rau sparked Eliot with hot shooting as Master Finley's boys repeatedly used the fast break to smash Kirkland's zone press. Eliot's free lance offense outran and out-shot Kirkland's patterned attack which suffered from the loss of two of its offensive stars...

Author: NO WRITER ATTRIBUTED | Title: Eliot Takes Hoops Title, Crushing Kirkland, 52-40 | 3/10/1967 | See Source »

Last night's game finished a season that saw Eliot, Kirkland, and Quincy Houses finish in a three-way tie for first with identical 11-4 records. Eliot took the first half of the three-way playoff Wednesday night with a 66-48 victory over Quincy. Aron and Orlovsky again scored in double figures against Kirkland, as they had done against Quincy...

Author: NO WRITER ATTRIBUTED | Title: Eliot Takes Hoops Title, Crushing Kirkland, 52-40 | 3/10/1967 | See Source »

...other hand, there is Dan Orlovsky, who was All-Chicago and trailed only Beller with a 10.6 freshman average, even though he was a second and sometimes third-stringer. Orlovsky and fellow guard Mike Aron quit the team this year after wasting a season on Wilson's bench. Carl Kendrick, third high scorer, forsook basketball after freshman year, and Steve Handler transfered to Michigan, where he is on the squad...

Author: By Robert P. Marshall jr., | Title: The Sports Dope | 2/28/1967 | See Source »

Frozen Blood. Sarah Caldwell began to think so too when, after she scheduled the opera for May, the tenor she had lined up to play Aron backed out. She put it back on the program again six weeks ago, and this time the baritone withdrew. Through it all, the 160-voice chorus kept practicing away, running up production costs that ultimately skyrocketed to $300,000, thus making it one of the most expensive operas ever produced. Finally, Tenor Richard Lewis and Baritone Donald Gramm stepped into the roles of the Biblical brothers, and the promised land was reached...

Author: /time Magazine | Title: Opera: Doing the Undoable | 12/9/1966 | See Source »

...calls home, Set Designer Oliver Smith built ramps and platforms around the orchestra pit. To swell the chorus, 40 extras were enlisted from local gyms and off the street (qualifications: "6 ft. 2 in. and well built"). Everything worked, especially Caldwell's master stroke of costuming Moses and Aron identically, often pivoting them back to back to underscore the central conflict between the spiritual and material sides of man. A few patrons found the orgy scenes too shocking and tromped out; but Lewis and Gramm performed magnificently, and the orchestra played the thunderous, jaggedly atonal score to perfection...

Author: /time Magazine | Title: Opera: Doing the Undoable | 12/9/1966 | See Source »

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