Word: arounders
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Dates: during 1940-1949
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...grew directly from such a sketch. It looked innocent enough until he began explaining it: "The children realized very much that these were bodies. The sight reminded me of a dummy my aunt had when I was a child, and that I always used to hit it, whirl it around. I wondered for a long time what I should put on the wall in the background. First I was going to make it a bandage ad, but then one day I saw it had to be the woman you see there, and I knew at once the whole story-which...
...combinations in which Armstrong has worked much of his life, he has had to earn that kind of praise-and without the carefully arranged six-and eight-horn brass choirs of the big bands to smother sour notes for him. Playing without written arrangements, bending the melody around on his own, then blending in with the others when the clarinet or trombone soars off on the lead, Louis has wrung raves even from longer-haired critics. The New York Herald Tribune's Virgil Thomson once said that Louis' style of improvisation made him "a master of musical...
...father's old .38 revolver out to the street and fired it off. He was picked up and taken to juvenile court where, he remembers, the magistrate told him that while he wasn't a bad boy he might get to be one if he kept playing around Perdido Street at night. Louis was packed off to ihe Colored Waif's Home for Boys, a New Orleans reform school...
...busy driving a coal wagon to blow a note. Then one night Bunk Johnson didn't turn up, and Louis sat in for him (for $1.25 a night) at Matranga's joint on Perdido Street; even the great Joe ("there's mah man") Oliver came around to listen...
Armstrong bowled them over in Chicago. His tone was unsurpassed for purity -and stayed that way even up around F and G above high C; he had such sheer power that he could blow as many as 300 ceiling notes in succession. The songs that came from his shiny horn ranged from the most mournful of blues to the explosive abandon of numbers like Muskrat Ramble...