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...much of the scientific community accepts Astronomer Maarten Schmidt's contention that the faint stars called quasars are the most distant objects ever observed (TIME cover, March 11). But challengers remain, and they have by no means given up. Schmidt's colleague, Halton Arp of the Mount Wilson and Palomar observatories, for example, believes that quasars were ejected from odd-looking galaxies that are, by cosmological standards, virtual neighbors to the earth...

Author: /time Magazine | Title: Astronomy: Are Quasars the Products Of Peculiar Galaxies? | 4/1/1966 | See Source »

...Arp worked out his novel theory after compiling an atlas of the "peculiar galaxies" that appear to have been distorted by cataclysmic explosions. Many of these distorted galaxies, he noted, were located at just about the midpoint of a line joining a pair of nearby radio sources. Most of these sources are radio galaxies, but eight have been identified as quasars. Furthermore, filaments of matter from several of the peculiar central galaxies appear to extend out in the direction of the radio sources...

Author: /time Magazine | Title: Astronomy: Are Quasars the Products Of Peculiar Galaxies? | 4/1/1966 | See Source »

...then unveiled a marble plaque to mark the site of dada's birth and an abstract navel designed by one of dada's founders, Jean Arp, for contemplation...

Author: /time Magazine | Title: Styles: Dado's 50th | 2/18/1966 | See Source »

...they answer, fine! If they don't, I ring the bell again a year later." For Italy's Egidio Costantini, a balding man in his 50s, this persistent bell ringing has opened the doors of some of the world's most renowned artists-Oskar Kokoschka, Jean Arp, Max Ernst, Luis Fontana, Yves Klein, Jean Cocteau, Picasso. No avid autograph seeker nor voracious collector, Costantini is a contemporary Venetian visionary out to restore the grandeur that was glass four centuries ago (see color...

Author: /time Magazine | Title: Crafts: Melodies for the Eye | 9/17/1965 | See Source »

...Arp, says he, comes easier: "I know him so well I don't need his drawings any more." Switching furnaces to keep other glassmakers from copying his methods, Costantini limits each sculpture to an edition of three-one for the artist (who must approve it), one for himself (to sell when the price is right), one for Collector Peggy Guggenheim, an early benefactress of the project. Then he adds his finishing touches. To give a wizened patina to Picasso's sprightly nymphs and fauns, he dipped the little people in acid baths. Now their skins look aged...

Author: /time Magazine | Title: Crafts: Melodies for the Eye | 9/17/1965 | See Source »

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