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...spent his evenings at the Café Certá talking with Breton, Arp. De Chirico and Léger and making composite drawings that they called "exquisite corpses." This was actually an old parlor game. One artist would draw a head, fold the paper and pass it on to the next man, who would draw the body without seeing what had already been done. "We used to fabricate all sorts of monsters." says...

Author: /time Magazine | Title: Art: The Good Old Dada Days | 6/28/1954 | See Source »

...Buddhist monasteries, where he used to sit for hours under the supervision of monks, trying to learn to exclude all thought from his mind, submerge himself in peaceful oblivion. In the early '30s he went to Europe, where he came under the influence of Le Corbusier, Mondrian, Arp and Alexander Calder. Says he: "I'm a fellow who has been suffering between the East and West for 30 years...

Author: /time Magazine | Title: Art: Different Accents | 4/26/1954 | See Source »

Ghika served his apprenticeship in Paris, soaking up great art in its museums and loud argument in its noisy bistros. He first tried formal study in the city's Academic Ranson, but soon gave it up. Ghika got his own studio, met Picasso, Braque, and Jean Arp, and learned the hard way. At first, he copied the impressionist manner of Renoir, then progressed to Cézanne and Seurat, and finally found what he was looking for in cubism. When Ghika held his first Paris show in 1927, it was a near sellout...

Author: /time Magazine | Title: Art: Modern Greek | 3/9/1953 | See Source »

Philadelphians saw a tortured bronze Growth by France's Jean Arp that looks like a fractured ham bone, a carved wood Reclining Figure by Britain's Henry Moore, all lumps and holes, with tiny breasts and huge, finlike legs. There were slim bronze stringbeans for human figures in City Square by Switzerland's Alberto Giacometti, wrought iron spikes and loops for a Woman Combing Her Hair by Spain's Julio Gonzalez, tinkling wire tendrils for a Streetcar by U.S. Mobilist Alexander Calder...

Author: /time Magazine | Title: Art: Track Through the Jungle? | 10/27/1952 | See Source »

...peak of his art. Every sculptor who could afford his stiff prices ($9,000 nowadays for a life-size figure) sent his work to Rudier. Maillol, Renoir, Bourdelle were all his clients; Rodin would have no other caster. Today, such outstanding European moderns as Henry Moore, Jean Arp, Alberto Giacometti and Ossip Zadkine are on his list. An expert explains why: "Rudier is unique. He is an artist. He produces a grain and patina almost like human skin. The bronze seems alive...

Author: /time Magazine | Title: Art: The Last Master | 5/5/1952 | See Source »

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