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What is a gaggle of Italian courtiers doing on board a Mississippi steamboat? Since when is Wild Turkey the drink of choice for the Prince of Arragon? What significance does the Old South hold for Shakespeare's Much Ado About Nothing? The Leverett and Currier production addresses these burning issues head...

Author: By Edward P. Mcbride, CONTRIBUTING WRITER | Title: Southern Discomfort | 12/10/1992 | See Source »

...scenes are fused into one, which is detrimental to the play's structure, such as it is). When he chooses wrong and has departed, Portia points up the racial slur in her tag-line, "Let all of his complexion choose me so." As for the Prince of Arragon, James Valentine makes him a heavily accented and logorrheicninny; and, when he goes, Portia just can't resist making fun of his Castilian accent. She should talk! Much later, when she is identified by Lorenzo through her voice only, her comment-- "He knows me as the blind man knows the cuckoo...

Author: By Caldwell Titcomb, | Title: Carnovsky Great in 'Merchant of Venice' | 7/7/1967 | See Source »

...dishonest. When the suitors for her hand come to make their choices from among the caskets, they are of course supposed to have free rein, as prescribed in her father's will. But this Portia does everything she can to lead the princes of Morocco and Arragon to a wrong choice and Bassanio to the right one. She cheats on her own father...

Author: By Caldwell Titcomb, | Title: Carnovsky Great in 'Merchant of Venice' | 7/7/1967 | See Source »

...casket-choosing scenes can be a bore, too. But Jay, doubling as the Prince of Arragon, emerged as a delightful fop. Robert Evans made the Prince of Morocco a glum, dead-pan character, with unfortunate results; the only way to save him is to play him for comedy, as Earle Hyman did so tellingly last year...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

...casket-choosing scenes can be a bore, too. But Jay, doubling as the Prince of Arragon, emerges as a delightful fop. Robert Evans makes the Prince of Morocco a glum, dead-pan character, with unfortunate results. The only way to save him is to play him for comedy, as Earle Hyman did so tellingly last year...

Author: By Caldwell Titcomb, | Title: The Merchant of Venice | 7/31/1958 | See Source »

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