Word: arroyo
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DUBROVNIK (through Aug. 25). The rugged scenic beauty of this Yugoslav seaport offers a feast for the eye while the ear attunes to the sounds of the Amadeus Quartet and the Zagreb Philharmonic. A glittering array of artists, including Soprano Martina Arroyo, Cellist Mstislav Rostropovich, Violinist Isaac Stern, and Pianists Sviatoslav Richter and Alexis Weissenberg will all be on hand...
...tide poured into Mercedes and Harlingen, where a Spanish-speaking radio station ominously warned: "Get the lame, blind and old people to high land." But there is no high land in Harlingen (pop. 41,100), a citrus-market city 36 ft. above sea level, and the pitifully inadequate Arroyo Colorado became a conduit delivering the full fury of the flood. Beulah had closed the highways north; southward seethed the Rio Grande; eastward lay the Gulf, and in from the west swept the flood. Harlingen was trapped...
Still the city fought for its life. Writing off fashionable Laurel Park's $50,000 homes because the area is lower than the arroyo lip, Harlingen took its stand in the central district, sandbagging dikes across streets wherever crews could find relatively high ground. Bulldozers gouged a 10-ft.-high earth embankment across one stretch, sacrificing the airport to save the city's core. Water mains burst and sewers backed up, spurting like geysers, as exhausted workers clung to the defense perimeter. Armed guards battled diamondback rattlesnakes as plentiful as worms after rain. Bushes turned black with water...
...hospital was evacuated. A quarter of Harlingen's population was taken to higher ground in outlying areas. Upstream at Mercedes (pop. 10,081), frantic crews dumped twelve-ton bales of car bodies into the gap at the broken weir, but the arroyo swallowed everything with hardly a gulp, and downstream the tide climbed inexorably. Then liquid fingers poked through a levee north of Harlingen, sending a second spearhead of water toward the heart of town. Surrounded, isolated, exhausted, Harlingen was engulfed...
STOCKHAUSEN: MOMENTE (Nonesuch). Karlheinz Stockhausen, the loudest noise in German electronic music, temporarily puts aside his tape recorder for something a bit-but just a bit-less far out. This time he turns on Soprano Martina Arroyo, backed by 13 instrumentalists and four choral groups equipped with sticks and boxes. The resulting hour-long piece is wild stuff all right; at times it sounds like a crowd clapping and hissing at a madwoman who jabbers and trills like a bird. The accompanying explanatory notes, formulas and diagrams are most scholarly...