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Morris used Boylston's shallow stage to perfection. He kept the actors moving in a fluid and carefully planned ballet. Every time a step was taken, an arm raised, an eyebrow lifted, one caught a glimpse of the puppeteer behind the scenes. The balance between the medieval and the modern...

Author: By Allan Katz, | Title: Le Jeu de Saint Nicolas | 3/4/1961 | See Source »

Must we insist that advertisers, TV producers, magazine writers-in short, everyone who feeds the eyes and ears of the public -present their products (and life) as they really are, or can't we allow them what they've been allowed for so many ye"ars: the right...

Author: /time Magazine | Title: Letters, Dec. 21, 1959 | 12/21/1959 | See Source »

The poems on the whole make interesting reading, and are probably more competent than the usual Identity fare. The two most polished are among the simplest in design, An Old Song and Correspondances. In these Mr. Phelps evokes a sort of nostalgic atmosphere which appears to a greater or lesser...

Author: By Peter E. Quint, | Title: Identity | 5/7/1959 | See Source »

Ars Brevis. In Memphis, College Student Mack Prichard was hired to teach Choctaw Indians at the nearby Chucalissa Indian Village how to make arrowheads.

Author: /time Magazine | Title: Miscellany, Oct. 6, 1958 | 10/6/1958 | See Source »

Not content with such modest fame and fortune, two years ago Stan turned his satirist's eye on TV and radio commercials, arrived at a simple notion: Why kid commercials when with a little effort the commercials and the kidding can be wrapped up together? The soft-selling, satirical...

Author: /time Magazine | Title: Television: Art for Money's Sake | 8/4/1958 | See Source »

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