Word: art
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Dates: during 1960-1969
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...written word is and always will be TIME'S primary concern. Yet many stories can only be told in pictures-and told best in color. Ever since 1951, TIME'S Art section has regularly featured a color story ranging anywhere from Claes Oldenburg's Pop objects to four pages on the churches of Soviet Russia and a ten-page spread on the Black in art down through history. At the same time, the magazine's Color Projects department has also been bringing an added dimension to news of every sort for TIME'S readers...
...this year, Senior Editor A. T. Baker and his staff -Arnold Drapkin, Andrea Svedberg and Nancy Smith -have been responsible for 172 pages of color. In recent weeks, they have been working closely with Louis Glessmann, TIME'S new art director. Much effort, of course, is geared to fast-breaking news stories. Improved communications and technology enable TIME'S production department, headed by Charles Jackson, to close color layouts as late as Saturday morning and still meet the magazine's deadline that night. Thus TIME has featured pages of color on the Apollo 11 triumph, President Nixon...
Eight Boston Gas Company employees carried picket signs in front of the Fogg Art Museum yesterday evening to protest the presence of Eli Goldston '42, chairman of the board of Boston Gas. Goldston was giving a reception for the mayor of Kyoto, Japan, which is Boston's sister-city...
Last year, one ad said, "What, you mean you've only seen The Proposition once??" I had already seen The Proposition twice, but I went again last Wednesday to a free Vietnam Moratorium Performance. They had decided not to close, in the conviction that art doesn't suspend itself for politics, but a member of the cast announced at the beginning that they wanted to give a show about what had happened during...
...limp phallus means nothing, and it's unattractive. And because of that, I Am Curious, Yellow and Oh Calcutta! are Antarctic and anti-sexual. But on the other hand, what is on the stage must be one step away from reality, and that one step is what separates art from life. We want something halfway between reality and fantasy. And thus when the first real stage fuck happens, you will not be seeing art. Implied in art is aesthetic distance...