Word: art
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Dates: during 1960-1969
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...that is overdue for divine retribution, a few apocalyptic preachers have already led hundreds of their disciples out of the state (TIME, Sept. 13). A telepathic organization called the Fellowship of the Ancient Mind has solemnly applied to Los Angeles officials for a salvage permit in order to rescue art works from the ruins after the Ultimate Quake. For the first time in years, civil defense officials report a run on survival kits, consisting of first-aid pamphlets and instructions about what to do in case of fires, floods or earthquakes...
...upward pilgrimage begins with Smith's earliest wood and wire constructions. Already evident is the haunting and haunted poetic imagery that informs even the starkest of his mature works. It was while he was studying painting at New York's Art Students League that Smith discovered the first installments of Finnegans Wake in transition and became fascinated with the parallels between poetry and the visual arts. A crudely constructed, painted Head of 1932 translates into visual terms the kind of controlled ambiguity that Joyce used: its profile simultaneously suggests a dancing woman...
...around factories just like I played in hills and creeks. Machinery has never been an alien element; it's been in my nature." During his college years, he worked for a summer as a riveter and spot welder at Studebaker's South Bend plant. Looking through French art periodicals in his art-student days, he saw how Pablo Picasso, working with the Spanish metalworker Julio González, had built small sculptures of welded steel. In the fall of 1933, he abandoned painting, rented space in a machine shop called the Terminal Iron Works in Brooklyn, bought...
Form Giver. More than any man, Smith gave the obdurate metal of the Industrial Revolution its own sculptural form. He liked the fact that steel had little real history in art. What associations the metal possesses, he argued, "are primarily of this century: structure, movement, progress, suspension, destruction and brutality...
...says, they are a reaction against the ephemeral daydreams he spun as a child in the orphanages to which he was periodically committed because both his parents (now dead) were Faulknerian alcoholics. "Southerners," says he, "can be terribly hung up on fantasies." Schooled in painting at the Chicago Art Institute, Beal builds his compositions as carefully as any Abstractionist-and the sofa or chair in his pictures is as important as the figures. He lives five months of the year at a farm on Black Lake in the St. Lawrence River valley. He poses his sculptress wife or a model...