Word: art
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Dates: during 1990-1999
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Throughout the century now ending, the trade balance of tenses has been a simple one: America has exported tomorrow around the world--not just in the form of the latest machines, youthful trends and state-of-the-art Star Wars visions, but also in the sense of the born-again optimism native to a young Republic of Hope. The more traditional cultures of the world, in turn, have brought into America pieces of the past--Ayurvedic medicine, say, or Tai Chi, and, more deeply, a sense of community and continuity that has breathed new life into the "old-fashioned" American...
...heroically influential person of the 20th century was Andy Warhol. He took everyday culture and turned it into art. Warhol's work was original. It gives the observer the feeling that the person who made it wasn't like everyone else, that this artist was an individual. AMANDA MICHELS Wexford...
...years ROBERT BRESSON was its finest and most influential purveyor. In 13 features from Les Anges du Peche (1943) to L'Argent (1983), the Frenchman who called himself a "jolly pessimist" went his own thorny way and, through his severe, seductive example, established the dominant style of a minority art form. His films, with little dialogue and music, are in effect silent pictures; they are certainly moving pictures, for they tell stories of people drawn toward death or transfiguration. Bresson was preoccupied with the mysterious workings of God's will, with saints ground down by sinners; Diary of a Country...
...effect on arts can be seen by looking at 1922, the year that Einstein won the Nobel Prize, James Joyce published Ulysses and T.S. Eliot published The Waste Land. There was a famous party in May for the debut of the ballet Renard, composed by Stravinsky and staged by Diaghilev. They were both there, along with Picasso (who had designed the sets), Proust (who had been proclaimed Einstein's literary interpreter) and Joyce. The art of each, in its own way, reflected the breakdown of mechanical order and of the sense that space and time were absolutes...
...last the one-sided concept of modern art has been breached, with news that an exhibit of Norman Rockwell's representational work [ART, Dec. 6] will appear at New York City's Guggenheim Museum, the stronghold of "nonobjective art." I suspect that for a short while we will experience some fireworks between the opposing sides of the contemporary art scene. I suggest that museums have two curators, each expressing one side of the polarized modern-art controversy. They could compete by means of the artworks each chooses and engage in lively debates. Only then will people have an opportunity...