Word: art
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Dates: during 2000-2009
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...censorship of the Internet, it's remarkable that Han has not been muzzled. But there apparently are limits even for rebels with no particular cause. Han's latest project is a literary magazine that remains nameless following a rejection by the government of Han's proposed title, Renaissance of Art and Literature. Asked why the title was rejected, he blurts an expletive and launches into a characteristic rant: "Oftentimes [the authorities] are just messed up in the head. No one knows what they are thinking." Least of all Han. "Lots of people ask me how I strike a balance...
...popping up across the country in recent weeks, getting the word out in such places as Columbus, Ohio, and Charleston, S.C., by placing big stickers on the front page of local newspapers. The ads begin, "Due to losses caused by Bernie Madoff," and then detail such treasures as original art by Peter Max, Salvador Dalí and Norman Rockwell - as well as Rolex watches and "other flashy items" - that are to be sold to "recover losses from Ponzi scheme." Trouble is, it's hard to tell whether any of the merchandise at these auctions was owned by Madoff or those...
...consists of a few sentences and an e-mail address. "Have You Been a Victim of Bernie Madoff Ponzi Scheme?" asks the grammatically challenged site, which also misspells Madoff's name: "If you have been a victim of the Maddoff ponzi scheme and would Like to liquidate your fine art or jewelry at one of our future auctions contact us with a brief description of your inventory...
Norton, in emphasizing the literary and artistic nature of the book - there's an accompanying art exhibition in Los Angeles' Hammer Museum - has been promoting it more like an intriguing new rendition of Beowulf than a sacred text. (Perhaps shortsightedly, they did not market the book to Christian bookstores; neither big Bible publishers Zondervan and Thomas Nelson nor the American Bible Society had heard of the volume when contacted.) There's a little synergy at work too: Crumb mostly uses the well-regarded translation by UC Berkeley Professor Robert Alter, another Norton author...
...focus on archaeological process over product, and artifact over art, distinguishes “The Secrets of Tomb 10a” from many Egyptian exhibitions, where typically a hodgepodge of statues and jewelry leave the viewer awestruck, but distanced from the culture itself. Nothing from Tomb 10a is monumental; no one artwork stands out as particularly impressive. Tomb robbers, a panel informs early on, got to the grave before the archaeologists did, seizing everything perceived to have value: jewelry, ornaments, and large statues. But an inspection of what remains brings the viewer closer to the past and those who unearthed...