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...plutocratic $240,000; Moore's cinematic stimulus plan rolls out in full next weekend. Bright Star, Jane Campion's moony tale of the doomed poet John Keats and his soul mate, Fanny Browne, expanded to 130 screens and earned a hearty $682,000 from lovers of sentimental art-house fare. And Coco Before Chanel, one of three biopics of the couturier to be released in theaters or on DVD this year - this one starring Amelie's Audrey Tautou - had a moderately glamorous debut, with $177,000 in five boutiques...

Author: /time Magazine | Title: Box-Office Weekend: Bruce Willis Gets Meatballed | 9/28/2009 | See Source »

...phenomenon, dubbed superfetation. In Grovenburg's case, she became pregnant first with a girl (whom she has decided to name Jillian) and then two weeks later with a boy (Hudson). The babies have separate due dates - Jillian on Dec. 24, Hudson on Jan. 10. (See pictures of pregnant-belly art...

Author: /time Magazine | Title: How Can a Pregnant Woman Get Pregnant Again? | 9/28/2009 | See Source »

...business philosophy that has blown up the economy, resulted in 6 million job losses and required more than a $1 trillion in bailout money to keep the banks afloat - while millions of people have lost their homes to foreclosure. He's a man who has made perpetual outrage an art form in every sense of the word. He had some choice words for TIME's business editor, Bill Saporito. (See TIME's fall entertainment preview...

Author: /time Magazine | Title: Q&A: Why Michael Moore Hates Capitalism | 9/26/2009 | See Source »

...Ultimately, “The Boy Who Knew Too Much” provides the same quirky good time that entertained fans of “Life in Cartoon Motion.” Some of the similarities between the two albums, such as their psychedelically eclectic album art, are conducive to Mika’s intended portrayal of “The Boy Who Knew Too Much” as a sequel to his debut album. However, the coincidence between the two is excessive, and those hoping for a new edge to Mika’s style in his sophomore effort...

Author: By Jenya O. Godina, CONTRIBUTING WRITER | Title: Mika | 9/25/2009 | See Source »

...glance at the current display of the photographs at the Art Institute of Boston reveals a decided inconsistency; it is as if the exhibition is shared by two different photographers, with different styles and approaches to conveying emotion in a photograph, rather than being the work of just one artist: Guatemalan Luis Gonzáles Palma.The exhibition, “Hierarchies of Intimacy,” will run through October 25. “Intimacy” is presented as one cohesive collection, but is actually divided between small, sepia-toned images and much larger color digital prints. The Kodalite...

Author: By Kristie T. La, CONTRIBUTING WRITER | Title: Palma Exhibition Fails to Make Cohesive Statement | 9/25/2009 | See Source »

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