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...Dackerman also argues that Fairey’s commercial work should not necessarily be seen as detracting from his art. “I don’t think his commercial work undermines his other work; it supports it; it enables it to happen. The commercial work sometimes mirrors the street work but actually gets within the corporate structure...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...blue with the word “Progress” printed below him as an expression of Fairey’s support for the candidate. Within days, posters had spread all over the internet and the streets. The Obama campaign soon contacted Fairey about making the image an official art of the campaign and changing its tagline from “PROGRESS” to “HOPE...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...Morrissey says. “I actually don’t think that a lot of people know where it came from. I think a lot of people think that it was created by the campaign for the campaign. It’s the work of art that’s become famous, not necessarily the artist...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...advising is pretty cool.”Though the course is not affiliated with the Music Department or any other academic branch of the University, Coriel was inspired to create ”How Songs Work” in response to the proposals of the Task Force on the Arts. He decided to take the initiative to make a concrete step toward the goal of augmenting the arts at Harvard.This ambitious step has garnered much encouragement from members of the arts community. According to Coriel, he has received positive feedback from the Dramatic Arts and Literature Departments, as well...

Author: By Charleton A. Lamb, CRIMSON STAFF WRITER | Title: 'Songs' Find Home in Adams | 2/12/2009 | See Source »

...jubilant is tiring work, as is bopping your head along to 10 songs in a row. They wisely attempt to forestall this inevitable exhaustion, though not quite successfully, by opening with “Contender,” an airy, gorgeous tale of a hapless admirer of music and art, destined never to create, only to consume. It is, in a sense, the picture the band’s detractors might paint of them. They acknowledge the issue, and in doing so, seek to move above it, displaying a level of forethought that suggests they are more than a glorified...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: The Pains of Being Pure at Heart | 2/12/2009 | See Source »

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