Word: artes
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Dates: during 1950-1959
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...bruised ego and a gift for sketching, the 21-year-old Whistler embarked for Paris and the studio of French Painter Gustave Courbet. From Courbet he acquired his early brush strokes, his first model-mistress, Eloise, and a point of view: "Beauty is truth." This creed spurred the art-for-art's-sake movement with which an entire generation of painters and writers thwacked at the Victorian taste for the didactic, the sentimental and the morally elevating. From London (where he moved in 1859), Whistler deployed his canvases like troops in this avant-garde campaign. The fury to which...
...coffin of Elizabeth Rossetti by moonlight to retrieve a manuscript her grieving husband, Dante Gabriel Rossetti, had buried with the body. Howell housed his wife, a bevy of artistically inclined mistresses, and half a dozen children under the same roof. Howell kept the girls busy forging art works, and in particular a set of obscene etchings, which he peddled as originals...
...sees Whistler as a proto-impressionist, as an early Western exponent of Japanese and Chinese techniques, and as the experimental godfather of modern nonobjective painting. Less debatably, Author Gregory ranks Whistler as a culture hero who refused to play drawing-room jester to Victorian philistines and who always regarded art as a basic necessity, not a superficial luxury of civilized life...
...regular sales force Eaton added a staff of "silent salesmen," as he called the works of art he assembled at Forest Lawn. The first of these was Edith Barrett Parson's Duck Baby, later followed by a vast sculpture group called The Mystery of Life, in which 22 figures watch a baby chick as it hatches out of an egg. From Europe, Eaton also brought back plans of three famous British churches-the one where Gray wrote his Elegy, the one where, according to legend, Annie Laurie prayed for her lost lover, the one where Kipling was (possibly) inspired...
...Biographer St. Johns reports, Builder Eaton still has one foot in the graveyard. He takes a paternal interest in some 900 well-paid employees and issues periodic denunciations of other cemeteries, which, as a Forest Lawn Art Guide once put it, "cry out men's utter hopelessness in the face of death." To this statement Novelist Waugh somewhat tartly replied that "by far the commonest feature of other graveyards is still the Cross, a symbol in which previous generations have found more Life and Hope than in the most elaborately watered evergreen shrub...