Word: artes
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Dates: during 1960-1969
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...spending a lot of time in burlesque houses. "Talking to the dancers," he recalls, "you found beauty in extremely negative things, because there was nothing else." After four years at Yale and a brief period as a police reporter, he committed himself to art. "I had always thought I would be a figure painter," he remembers. "But objects suddenly took on a personal nature. They became parts of the body. Potato chips are ears, ink bottles are nipples...
...thing, it is more readily accessible to the casual viewer's sensibility than the austere abstraction of, say, a Barnett Newman or an Ad Reinhardt. Its images, in fact, depend in part on instant recognition. Many of its subjects are the eternal themes of art-scrubbed, rubbed, varnished, stuffed and updated. Susannah and the Elders, an exercise in biblical voyeurism that has been painted by Tintoretto, Rubens and Rembrandt, becomes in Tom Wesselmann's rendition a pink plastic Great American Nude in her bathtub, with gallerygoers playing unreluctant elders. Those meticulous Dutch still lifes of fruits and game...
...Fair at Osaka next year. A motor inside will cause the ice bag to tilt, inflate, undulate and deflate on a continuous cycle. As an object, it is funny, anthropomorphic and intellectual all at once. It qualifies as kinetic or soft or Pop sculpture, but is it art...
...cerebral artist of the 20th century, "the artist may shout from all the rooftops that he is a genius; he will have to wait for the verdict of the spectator in order that his declarations take a social value and that, finally, posterity includes him in the primers of art history." Right now Oldenburg-and some of his fellow Popsters as well-seems assured of a place in the primers...
...polluter as "a blind, witless, lowbrow, anthropocentric clod." With his Scottish burr, fierce beard and piercing eyes, McHarg is a cross between Jeremiah and a kind of male Rachel Carson. He is not only a symbol of rising anger at environmental abuses, but a successful practitioner of the hard art of stopping those abuses. In his new book, Design with Nature, which Lewis Mumford calls "a vision of organic exuberance and human delight," McHarg clearly shows that the main obstacle to saving the U.S. landscape is ignorance...