Word: artes
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Dates: during 1980-1989
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...scale alone of a mainstage production can be dizzying. The American Repertory Theater (ART) mainstage theater can host an audience of as many as 600 and mainstage productions ususally carry a larger budget and cast than house plays. To top it off, the ART stages only four student plays a year, so student mainstage plays receive a lot of attention...
...ART allows mainstage producers to use its lighting facilities and its machine shop. Members of the ART staff helped the Ui group with accents, publicity and costuming. And to help pay for additional costs, the HRDC allots mainstage producers $1500, while budgets for house productions usually run around $500 or less. Not only that, "we are under no compunction to pay [the money] back," as there is with house productions, Noonan says. And Cibula added, "Most houses do not let us do big ornate productions which make no money...
...This is the best produced show in my memory," says veteran mainstager Samuel P. Sifton '88. Calling it a "good time show," Sifton said the production took as much time as some of the ART shows in which he has performed. But, he said in some ways he preferrs doing undergraduate plays because of the "student flavor...
...ART DIRECTOR: Rudolph Hoglund...
...ART: Nigel Holmes (Executive Director); Dorothy D. Chapman, Irene Ramp (Deputies); Arthur Hochstein, Leonard S. Levine, Billy Powers, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...