Word: artes
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Dates: during 1980-1989
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...ART DIRECTOR: Rudolph C. Hoglund...
...ART: Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, Stefano Arata, James Elsis, Carol March, Kenneth B. Smith (Designers) Production: Paul Dovell (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Lisa Sampson, Nomi Silverman, Eugene Tick, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman
...Ladies and gentlemen, tonight a star is born. Laertes has a daughter." Olivier probably thought he was being gracious rather than oracular. But the man generally acknowledged as the greatest actor of his age in the English- speaking world proved as inspired in his fortune-telling as in his art: the infant born on Jan. 30, 1937, has ripened into the greatest actress in the English-speaking world. Her trophies include the Oscar, the Emmy and London's equivalent of Broadway's Tony (appositely named for Olivier). She also has a prize even more important to her: the awestruck regard...
Despite a trying childhood and the dual demands of art and political activism, Redgrave has been, by all accounts, a stable and nurturing parent. Says Joely: "Mother may have been a free spirit before we came along, but we were terribly normal and conventional as a family. Domestically, she's nothing like the force she is in acting and politics. She is not a creature of comforts. She will always take the smallest room in the house...
...would be perfect. Not only did he paint the best official portrait of the 17th century -- the head of the wary, coarse, cunning old Pope Innocent X, in the Galleria Doria-Pamphili collection in Rome -- but he also made what is perhaps the greatest nonmythical, secular painting in all art history: Las Meninas, in the Prado. Neither is in the wonderful show of 38 paintings by Velazquez, about half lent by the Prado, which opens at the Metropolitan Museum of Art in New York City this week. Nor should they be, since such things cannot be exposed to the risk...