Word: artes
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Dates: during 1990-1999
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Hollywood didn't want to be left out, so filmmakers green-lighted Good Will Hunting, in which Matt Damon, who does watch TV, makes it sexy to be a number cruncher. (The sexy image was reversed--for the few bohemians who saw it--by the 1998 art-house flick [pi], the story of a psychotic, self-mutilating mathematician who discovers a very big number that holds the secrets of the universe.) Books on mathematics, such as Fermat's Enigma and A Beautiful Mind, the tale of a schizophrenic mathematical economist who wins the Nobel Prize, hit best-seller lists here...
...leather high chair framed by a white umbrella and chrome mirrors stands empty at Sephora, the hippest cosmetics store in New York City. A sign discreetly advises, SEPHORA MAKEUP ARTISTS ARE ALWAYS AVAILABLE FOR COMPLIMENTARY CONSULTATIONS, but the customers prefer to play in the aisles. In this Art Deco universe, all cosmetics are created equal. Witness the beauty behemoth Estee Lauder occupying the same space as stylish newcomers like BeneFit and Urban Decay. And despite the abundance of salespeople in black pantsuits and single black gloves, supervision is minimal. "I know what I'm looking for, so this works...
When it comes to Norman Rockwell, we all know what we're supposed to think. Rockwell is to modern art what Robert Mapplethorpe is to family values--a slap in the face to all serious standards. So much the worse that for decades he was the best-loved American artist, at least until he was usurped by an even shrewder judge of the national disposition, Andy Warhol. To the art world Rockwell was an exasperating holdout, the man who didn't care that in the 20th century it was simply uncalled for to paint sweet-tempered vignettes in a representational...
...maybe it's a watershed in cultural attitudes that over the next two years the Rockwell retrospective now at Atlanta's High Museum of Art will be making a national victory lap. It's not just that it passes through Chicago, Washington, San Diego and Phoenix, Ariz., then touches down at the Norman Rockwell Museum in Stockbridge, Mass.--the place where his work is usually confined, to contain any risk of aesthetic infection. It's that the tour ends in triumph at the Guggenheim Museum in New York City, an institution founded as a stronghold of "nonobjective art." If Rockwell...
...play is so breath-taking that we cannot be distracted from it. In Yeremin's hands, Ivanov on stage becomes as lush as Dr. Zhivago on film. The degree of unity that Yeremin orchestrates on a sensory level is downright astonishing. Scott Bradley's sets are a work of art in themselves, something of a cross between installation art and Isamu Noguchi's minimalist sets for the New York City Ballet. Add to that the light design of John Ambrosone, for whom no slant of light or subtlety of shading is unattainable, and the stoic formalism of Catherine Zuber...