Word: artful
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...including Harold LeClair Ickes, Henry Morgenthau, many another Capital bigwig. Singer Anderson had waived her $1,750 fee, nobody paid admission, her program was considerably below her artistic par. This was all because, by last week, the Anderson Affair had become more a matter of politics than of Art or even of Race. After the D. A. R. kept Miss Anderson out of Constitution Hall and Eleanor Roosevelt quit the Daughters in protest (TIME, March 6, et seq.), a Marian Anderson Citizens' Committee went to work to rebuke Negrophobes. In so doing, it put on the spot many...
...office in St. Martin's Lane, London, once saucy Nell Gwynn's bedroom, trooped sober-faced British corporation executives last week. Anxious to comply with the forthcoming Civil Defense Bill, which will require camouflage for factories and public utility works, they came to consult Mr. Frederic Stafford, art director of Stoll Theatres Corp., Ltd. Mr. Stafford heads a group of noted stage designers whose new business is to fool enemy bombers into thinking that a power plant is a church, or an airfield a picturesque village...
...Modern art has too long remained a "not un-feared, half-welcome guest" among art teachers, a testimony rather to our caution than to our sense of responsibility to the world in which we live. Contemporary art is likely, among teachers, to be regarded as a trouble some continuation of nineteenth century art, rather than a phenomenon which requires not only special knowledge but a rather unusual critical equipment for its comprehension or its appraisal. Few college graduates can say that they have given much time or much thought, in their fine arts courses, to Surrealism, the murals of Orozco...
Feild One Who Restores Context to Art...
Every experiment in art is a collaboration between artist and layman. Artists now realize this. For the artist, as Holger Cahill wrote, "a new concept of social loyalty and responsibility, of the artist's union with his fellow men in origin and destiny, seems to be replacing the romantic concept of nature which for so many years gave to artists and to many others a unifying approach to art . . . an end seems to be in sight to the kind of detachment which removed the artist from common experience, and which at its worst gave rise to an art merely...