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Word: artful (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...still waiting. Pro-Leopoldists have accused him again & again of usurping his brother's power. Charles has answered by going into virtual seclusion. Such tasks of royalty as the laying of cornerstones have fallen into the hands of Queen Mother Elisabeth, now 72, an eccentric patron of Communist art exhibits...

Author: /time Magazine | Title: BELGIUM: A Perfect Golfer | 7/18/1949 | See Source »

Both Boccioni and the Futurist movement died in World War I, but not the idea of breaking with the musty past. That persisted even during the Fascist passion for neoclassicism. Last week, visitors at Manhattan's Museum of Modern Art were getting their first good look at what the Italians had been up to all those years...

Author: /time Magazine | Title: Art: Lively Proof | 7/18/1949 | See Source »

...chopper being shot in the back gave a broad hint of why Guttuso's Italian fellow Communists now object to his work. The poster-bright colors and the shapes which looked as if they had been hacked out by a hoe were reminiscent of Comrade Picasso's art, but like Picasso's they deviated from the "realism" the party presently admires. At the opposite extreme was 52-year-old Antonio Donghi's meticulous The Hunter, which had the quiet dignity of a procession...

Author: /time Magazine | Title: Art: Lively Proof | 7/18/1949 | See Source »

...youngest. Twenty-five-year-old Renzo Vespignani's melancholy pen & ink drawings of the debris of Fascist Rome, and 23-year-old Marcello Muccini's Bull, as sharp and simple as a pair of murderous horns, held their own beside the work of their elders. Italian art had survived Fascism, the exhibition proved beyond a doubt. It was at least as lively as that of the U.S., Britain and France; and, on the evidence of the younger painters, there was more to come...

Author: /time Magazine | Title: Art: Lively Proof | 7/18/1949 | See Source »

Last week, in the courtyard of Des Moines' handsome new Art Center, lowans gaped at a bronze stallion the likes of which had never been seen before. Mounted in the center of a spacious reflecting pool was the latest work of Swedish Sculptor Carl Milles, a magnificent, larger-than-life Pegasus. Broad-beamed, with hefty wings spread, it zoomed through space at the angle of a sloop in a summer squall. Soaring precariously above was the horse's 1,000-lb. bronze rider, Greek adventurer Bellerophon (see cut), with arms outstretched and nine stout bolts through one foot...

Author: /time Magazine | Title: Art: Improbable Horse | 7/18/1949 | See Source »

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