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Word: artful (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

LAKE PLACID, N.Y. Playhouse. The characters in the four droll and sometimes touching playlets of Robert Anderson's You Know I Can't Hear You When the Water's Running share a universal preoccupation, sex, as it is used in art, as it wanes in middle age, as it bemuses parents of adolescent children, and as a fading memory of the very...

Author: /time Magazine | Title: Time Listings: Jul. 25, 1969 | 7/25/1969 | See Source »

Rising Waters. As it has for centuries, Venice last week enticed and entranced a horde of tourists, part of the city's 3,000,000 annual visitors. Few of them were aware that "man's most beautiful artifact," as Art Historian Bernard Berenson called Venice, is sinking beneath their feet...

Author: /time Magazine | Title: THE FIGHT TO SAVE THE SINKING JEWEL OF THE ADRIATIC | 7/25/1969 | See Source »

Nineteenth century French painting has never fitted neatly into art historians' annals. It was a century of variety and contradictions, blessed with an embarrassment of riches. Every decade had its transcendent master-David, Ingres, Delacroix, Courbet, Corot, Manet, Cézanne-whose force of personality outshone multitudes of minor but thoroughly accomplished painters. One artistic ism followed another, as Neo-classicism yielded to Romanticism, Realism to Impressionism...

Author: /time Magazine | Title: Painting: Rediscovered Riches | 7/25/1969 | See Source »

...pupil, Antoine-Jean Gros, almost reversed the master by ushering in a new school of romantic pageantry. Like David, Gros became caught up in the whirlwind of contemporary politics. Through Josephine, he met Bonaparte in 1796, was given a role in the French army's confiscation of Italian art treasures, then taken into Napoleon's entourage...

Author: /time Magazine | Title: Painting: Rediscovered Riches | 7/25/1969 | See Source »

Neither time nor text, for one, allows a full characterization for each of the twelve disciples; but a device must be found to break their identification with the traditional figures of religious art, from Da Vinci canvases to plaster saints. So the disciple of this staging are cast and pressed as street people, marked in dress and aspect by the miles behind and the miles ahead. Together, they resemble both a juvenile gang and a disreputable pick-up football team. Separately, they evoke overtones: St. John (Lloyd Schwartz) suggests a veteran of the Sierra Maestra, while St. Matthew (Michael Dobson...

Author: By Peter Jaszi, | Title: Jesus | 7/18/1969 | See Source »

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