Word: artful
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Dates: during 1980-1989
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Then the owners began to learn how to promote their clubs. Says Art Clarkson, a major shareholder and general manager of the Birmingham Barons: "The days of opening the gates and letting people in are over. We've had to get into the merchandising business." As in the majors, the minor-league clubs started ball, hat, bat and sweatband nights. Then the farm teams added a few gimmicks all their own. Several clubs offer home-plate weddings to their fans. Anyone attending a Birmingham Barons game can order a birthday cake brought to his seat and watch his name being...
...Art...
...Biennale, which began in 1895, is the oldest living, official new-art event. Through the '50s, it acquired an inimitable prestige, and its prizes were held to be enormously important in the marketing of an artist: nothing could have given Robert Rauschenberg's career a faster boost than winning the Gran Premio in 1964. This changed in the wake of '68, when art-student radicals occupied the Accademia di Belli Arti, in protest against the commodification of culture (how many of them, one wonders, are art dealers today?). In panic, the Biennale decided in 1972 to jettison the prize system...
...include wooden beams salvaged from warehouses and bridges, oxidized metal, tar paper, dusty broken glass and spindly watercolor drawings, Droese is under the spell of Joseph Beuys and, to some degree, Beuys' former student Anselm Kiefer. He draws with scissors, creating silhouette cutouts (a favorite form of German folk art) on an enormous scale. They make all manner of references to pacifism, to imprisonment and the gallows, to shadow puppetry and children's drawings, and aspire toward a vividly German kind of paranoid sublimity...
Inevitably, the centerpiece of the Biennale is the U.S. pavilion with its show of Jasper Johns' work since 1974, organized by the Philadelphia Museum of Art and treated to a piercing catalog exegesis by its curator Mark Rosenthal. , Johns' presence at the Biennale seems to close the American parenthesis that Rauschenberg opened there 24 years ago, and one leaves it convinced he is the deepest of living American artists, a painter whose subtlety and richness of imagination stand beyond doubt even when, as sometimes happens, one cannot find a direct way among the hints, inversions, repetitions and false scents...