Word: artful
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...obliquely -- so that you, as viewer, are put at the threshold of a hidden life that may, if you look closer, be yours. Fischl is a true American realist, but he works at a pitch of psychological truth ! (especially about adolescent sexuality) not known in the American narrative art of his forebears in the '30s. At his best he seems, roughly, a cross between Edward Hopper and the Philip Roth of Portnoy's Complaint. Thus it seems just right that Roth has written a catalog introduction to Fischl's current show in Manhattan, six paintings on view at the Mary...
When Fischl started out, the odds were against the very idea of narrative painting based on the human figure. Born in New York City in 1948, he went to the California Institute for the Arts in Valencia in 1970, just at the height of the belief, then endemic in the American art world, that "painting is dead." Cal Arts epitomized the frivolity of late-modernist art instruction -- no drawing, just do your own thing and let Teacher get on with his. Art education that has repealed its own standards can destroy a tradition by not teaching its skills, and that...
...finest, shoes shiny, gloves pristine, she was allowed to follow them through the heavy oak doors of the Highland Park Ebell Club in the hills of northeastern Los Angeles. In the cavernous main hall, surrounded by distinguished ladies with brows aloft, she listened to dramatic readings, or speeches on art or tropical Brazil. The children even had a dining room all their...
...same formidable nerve sustained a major talent for self-publicizing. Capote talked endlessly about "the difference between very good writing and true art" and left no doubt which he was serving up. To a considerable extent he was taken at his own estimation, though a large part of his writing (his 1957 New Yorker portrait of Marlon Brando is an overpraised example) was nothing more than good, smooth journalism. His pretense that the powerful and meticulously written In Cold Blood was something to be called a nonfiction novel demeaned both forms...
...fascinating observation Angell gleans from Joe Garagiola, a former catcher himself, in this chapter is that Johnny Bench, without a doubt the greatest catcher of his time, probably set back the art of catching, on account of his own great skills. Only Bench, with his extraordinarily quick release and balance, Angell's argument goes, could get away with catching the pitch one-handed, which normally catchers are taught not to do so that their throwing hand is on the ball if a Rickey Henderson or Vince Coleman tries for second base...