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Opera is a vocally-driven performing art. But this past Tuesday, Ellen Hargis—a “Baroque-music diva” according to The New Yorker—proved that sleight of hand can improve even the most skilled voices. During a lecture and masterclass hosted by the Office for the Arts (OFA) at the New College Theatre (NCT), soprano Hargis demonstrated the importance of performance gestures.“Ellen Hargis is an extraordinary resource for Baroque vocal music,” said Thomas Lee, Program Manager for the OFA’s Learning From Performers...

Author: By Marissa A. Glynias, CONTRIBUTING WRITER | Title: Hargis Broaches Baroque Opera | 11/7/2008 | See Source »

...it’s rare for an expert to speak about an artist immediately after the artist herself has spoken. This was exactly what took place at the Harvard Ceramics Studio last Saturday when a lecture by Magdalene Odundo, a distinguished African ceramicist, was followed by History of Art and Architecture and African and African American Studies Professor Suzanne Blier’s talk about the significance of Odundo’s work in the intellectual and artistic community. “I’ve never seen a professor give a talk about an artist sitting two feet...

Author: By Samantha C. Cohen, CONTRIBUTING WRITER | Title: Odundo Obsessive for Clay | 11/7/2008 | See Source »

...distributed flyers door-to-door, demanding the right to vote. “Casting the First Ballot,” the fall exhibit at the Harvard College Women’s Center, draws together this struggle for suffrage with contemporary voter issues. Through reproductions of historical photographs and art by current Harvard students, “Casting the First Ballot” explores what it means to be a voter. “We wanted to make historical conversation between past and present,” says Andres Castro Samayoa ’10, the student curator of the exhibit...

Author: By Madeleine M. Schwartz, CONTRIBUTING WRITER | Title: Past and Present, Linked in 'Ballot' | 11/7/2008 | See Source »

...appearance on “Mister Rogers’ Neighborhood,” and he was extensively involved in community and professional theater throughout high school. Despite his numerous theatrical accomplishments, Vartikar-McCullough says, “Theater was never my focus; it was always very much visual art.” It’s this concentration on visual art that sets him apart from others in the theater community. For Vartikar-McCullough, a play goes beyond just text and characters. “There’s more to theater than just scenarios,” he says...

Author: By April M. Van buren, CONTRIBUTING WRITER | Title: SPOTLIGHT: Jason R. Vartikar-McCullough ’11 | 11/7/2008 | See Source »

...threat” as they call it in the business. “She represents a very specific tradition that is becoming rarer and rarer...a standard of excellence,” said Thomas Lee, a program manager for the Learning From Performers program at the Office for the Arts, which organized Neuwirth’s visit to Harvard last week. To be sure, Neuwirth has been honored for excellence in different areas of the performing arts, winning two Tony awards for her musical theater work in “Chicago” and “Sweet Charity...

Author: By Olivia S. Pei, CONTRIBUTING WRITER | Title: Triple Threat Comes to Cambridge | 11/7/2008 | See Source »

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